ACC Philippines and National Museum Partner for ‘Layers and Shadows’ by Demi Padua

The Asian Cultural Council Philippines (ACCP) has partnered with the National Museum to host “Layers and Shadows,” an exhibition showcasing the works of multifaceted artist Demi Padua.

As part of ACCP’s series of special events this year to celebrate its 25th anniversary, this event not only highlights Demi’s exceptional skill but also supports ACCP’s mission to foster cultural exchange and development through the ACC Philippine Fellowship Program.

The donation and assistance from DF Art Agency, Demi Padua, and benefactor The Good Hope Future Foundation will directly support the ACC Philippines Fellowship Program, which aims to advance the careers of Filipino artists, scholars, and cultural practitioners. The program provides opportunities for growth and international collaboration, promoting the country’s rich cultural heritage.

The collaboration between ACC Philippines Foundation and the National Museum along with ACCP supporters in the arts and business sectors underscore the importance of cultural exchange and development in the arts. By supporting Filipino artists and promoting their work on a global stage, ACCP continues to make a positive impact on the country’s cultural landscape.

Demi Padua is a renowned Filipino artist known for his striking portraits and trompe l’oeil technique. His works often feature intricate details and layers, inviting viewers to explore the depths of his art. Padua’s artistic journey has been marked by numerous solo and group exhibitions here and abroad, showcasing his talent and creativity. He has been awarded with the Grand Prize in the 2013 Bangko Sentral ng Pilipinas Tanaw Art Competition, the AAP, GSIS Museum and the Metrobank awards.

“Layers and Shadows” by Demi Padua will be open to the public from August 13 to 26, 2025, at the Sergio Osmeña Hall, National Museum of Fine Arts.

#DemiPadua #ACCP #LayersandShadows #rubyspreciousmoments #rubyasoyph

CCP partners with JRU and PLM to nurture art appreciation among Filipino students

CCP President Kaye Tinga with Jose Rizal University Vice President for Academic Affairs Dr. Miguel M. Carpio Kiko Cabuena.

True to its promise of bringing the nation’s arts and culture closer to Filipino youth, the Cultural Center of the Philippines (CCP) officially signed a Memorandum of Understanding (MOU) with José Rizal University (JRU) and the Pamantasan ng Lungsod ng Maynila (PLM) on June 25 and July 8, respectively.

The new partnerships mark a significant collaborative effort by the CCP to facilitate the exchange of resources and provide students with greater exposure to world-class artistic works, performances, and programs. The initiatives also aim to enhance knowledge, skills training, and cultural appreciation among JRU and PLM students, especially those in the liberal arts, humanities, literature, and social science courses.

“Exposing the Filipino youth to our rich heritage is something that we take to heart seriously. Collaborating with universities is crucial in propagating not only our mandate of conserving and promoting Philippine arts and culture, but also in instilling art appreciation within this generation. We want to ensure that they will carry over and contribute to our cultural tapestry,” said  CCP President Kaye C. Tinga.

Cultivating art appreciation among Rizalinos

Established as the Far Eastern College School of Accounts, Commerce, and Finance, JRU was founded by Vicente Fabella, the first Filipino certified public accountant. In 1922, it was renamed in honor of the Philippine National Hero, Dr. Jose Rizal. After World War II, JRU reopened in 1945 and later transferred to its current location in Mandaluyong City in 1950.

Since its foundation, JRU has consistently molded the character of its students and has produced a remarkable number of successful graduates flourishing in various fields of industry, commerce, agriculture and trade, and the military.

“The CCP sits on the frontlines of education. Under its supportive wings, we will make sure that not only the students will benefit from our partnership, but our faculty members as well,” said JRU Vice President for Academic Affairs Dr. Miguel M. Carpio.

Boosting artistic events and programs for PLMayers

Located in Intramuros, Manila, PLM is the first and only chartered and autonomous university funded by a city government.  It takes pride in being one of the country’s leading institutions for higher education, consistently achieving high passing rates in board examinations and producing competent professionals across various fields.

PLM offers a comprehensive range of undergraduate and graduate programs in medicine, engineering, business, arts and sciences, education, and other disciplines, all while maintaining its commitment to providing quality yet accessible education to deserving students.

“We are grateful for this collaboration with PLM. It will enable arts and culture to have a huge impact on their curriculum. The relationship that we build allows us to transfer our knowledge and resources and create new opportunities for artistic expression and cultural exchange among their deserving students,” expressed CCP Vice President for Administration Jose Victor M. Gaite.

Meanwhile, PLM President Atty. Domingo Y. Reyes Jr. believes that art and culture should always be part of the education system. “We always make it a point that arts and culture are embedded in many of our activities. It is a way of diverting not only the academic skills but also the other subskills that the students need. We thank the CCP and look forward to a very fruitful and memorable partnership,” he said.

For more information about CCP programs, workshops, and productions, visit its official website (www.culturalcenter.gov.ph). Follow CCP’s official accounts on Facebook, Instagram, TikTok, and YouTube for the latest updates.

#CCP #JRU #PLM #partnerships #rubyspreciousmoments #rubyasoyph

CCP’s National Theatre Live explores mortality and morality in tragic drama classics Hamlet and A Streetcar Named Desire

The Cultural Center of the Philippines (CCP), through its groundbreaking program CCP National Theatre Live, traverses the complex human mind in classics “Hamlet” and “A Streetcar Named Desire” this July.

Shot live from the National Theatres in London, Hamlet returns to the Philippine shore this July 29, 6:00 p.m., at Glorietta 4 Cinema 4 in Makati City, while A Streetcar Named Desire will premiere at the Ayala Malls Vertis North & Ayala Malls Central Bloc, Cebu on the same date and time.

The downward spiral of a vengeful son

Watch Prince Hamlet’s slow descent to madness after his father’s ghosts reveal the truth about his own death. Academy Award-winning actor Benedict Cumberbatch (Sherlock) plays the titular character in William Shakespeare’s most famous play.

Directed by Lyndsey Turner and produced by Sonia Friedman Productions, this version of Hamlet seems to dissect the Prince of Denmark and his darkening world with political precision and psychological insight. The staging of the Shakespearean tragedy has been hailed for its acting and visual modern setting, emphasizing the continuing relevance of the classic play in today’s generation.

This world-renowned Elizabethan classic explores the complexity of the human psyche and the consequences of love, revenge and grief. For its broadcast debut in 2015, Hamlet broke all records and became the fastest-selling event in London theater history. Tickets were sold out before rehearsals at the theater even began.

What desire does to the mind

 Gillian Anderson (Sex Education), Vanessa Kirby (The Crown), and Ben Foster (Lone Survivor) lead the cast in Tennessee Williams’ timeless masterpiece: A Streetcar Named Desire.

A Streetcar Named Desire

In this play, as Blanche’s fragile world crumbles, she turns to her sister Stella for solace. But her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

From visionary director Benedict Andrews, this acclaimed production was filmed live during a sold-out run at the Young Vic Theatre in 2014.

Published in 1947, during the aftermath of the Second World War, this masterpiece revolves around the taboo themes of class tensions, female sexuality, homosexuality, and male domination – all of which simultaneously coexisted with the social dilemmas of the time.

A Streetcar Named Desire had its first staging on December 3, 1947, with the performance ending with a short, surprised silence before a thunder of applause that lasted 30 minutes.

Bringing London’s bests to the Philippine screens

Committed to the preservation and promotion of the arts, CCP’s National Theatre Live, in partnership with National Theatre Live London and Ayala Malls Cinemas, aims to make world-class theatre performances more accessible to Filipinos and ingrain a deeper appreciation for the performing arts.

Since its launch in June 2009, National Theatre Live broadcasts the best of British theater live from the London stage to cinemas around the world. NTL films their plays in front of live theater audiences, but optimized for the big screen and made accessible to theater fans outside of the United Kingdom.

Regular ticket prices are PHP300 in Makati and Cebu, and PHP350 in Vertis North, with special ticket price for students at PHP150 upon presentation of valid ID. Visit the cinema ticket booth or book online via www.sureseats.com.

To get the latest updates on CCP’s National Theatre Live and other events, follow the official CCP social media accounts on Facebook, Twitter, Instagram, TikTok, and YouTube. Visit the CCP website (www.culturalcenter.gov.ph) for more news.

#CCPNationalTheatreLive #Hamlet #AStreetcarNamedDesire #rubyspreciousmoments #rubyasoyph

Art, Advocacy, and a Vision Reborn: Unveiling Ioni Mendoza’s First Solo Exhibit

Ioni Mendoza is preparing to debut her first solo show, “Seeing Colors of Hope,” on August 9 at Life ‘n Arts Gallery in Sta. Rosa, Laguna. But this exhibit is more than a personal achievement — it’s a tribute to second chances, and a powerful reminder of how art can give voice to purpose.

 

As she approaches her 50th birthday, artist and entrepreneur Ioni Mendoza is stepping into a long-awaited milestone with heart, hope, and bold brushstrokes.

After more than a decade of painting and years of joining group exhibitions, Ioni is preparing to debut her first solo show, “Seeing Colors of Hope,” on August 9 at Life ‘n Arts Gallery in Sta. Rosa, Laguna. But this exhibit is more than a personal achievement — it’s a tribute to second chances, and a powerful reminder of how art can give voice to purpose.

“I’ve been looking forward to this moment for so long,” Ioni shares. “It’s a personal milestone, and I wanted it to be more than just a showcase. I wanted it to mean something.”

That meaning comes from a deeply personal experience: Ioni is a corneal transplant recipient. For years, she lived with poor eyesight, quietly navigating a world blurred by physical limits. Until one person’s selfless act—the gift of corneal donation—allowed her to see clearly again. That moment changed everything. And now, through her first solo exhibit, she’s telling that story with color, compassion, and courage.

With “Seeing Colors of Hope,” Ioni is using her platform to raise awareness about corneal donation, an issue that often goes unnoticed but has the power to change lives. A portion of the exhibit’s proceeds will be donated to a foundation supporting patients who need financial assistance for transplants. The exhibit is free and open to the public.

“It’s a cause close to my heart because I’ve lived through it,” she says. “I want people to see what’s possible when someone chooses to give the gift of sight.”

Her collection features works created across the span of her artistic journey. Many of them painted this year specifically for this exhibit. A blend of Eastern and Western influences defines her style, with techniques drawn from impressionism and traditional Chinese Shui Mo painting. She works with watercolor, acrylic, and ink on rice paper and canvas, combining vibrant colors and fluid textures that reflect movement, emotion, and life’s transience.

Having started painting seriously in 2010, Ioni took time off from art for several years before returning with renewed purpose. The pieces in this exhibit, she says, are a testament to that creative comeback.

“You just do your work,” she says. “Even if you stop for a while, you come back to it. One piece at a time, until you find you have something worth sharing.”

Her dual life as an artist and the owner of a consulting firm speaks to her belief in the “portfolio life” that you can pursue creativity and business, passion and practicality, all at once. The same discipline and courage she applies in business, she brings to her art.

But what ties it all together is Ioni’s desire to inspire — not just visually, but meaningfully.

“As a woman in the art world, I want to show others, especially those with limitations or fears, that you can still pursue your dreams. You can leave something beautiful behind,” she says.

That’s why “Seeing Colors of Hope” isn’t just an exhibit. It’s also an invitation to reflect.

As Ioni prepares to welcome guests to this milestone event, she is filled with gratitude for her supportive family, the friends and mentors who helped bring her vision to life, and the challenges that made her stronger.

“Pursuing your passion has no age limit,” she says. “If your heart is in it, and you believe in what you’re doing, just go for it.”

Through the exhibit, Ioni also hopes to inspire a deeper commitment to organ donation.

She encourages guests and readers alike to help restore the vision of someone living with corneal blindness by pledging to donate their cornea and eye tissue after death. “Almost anyone can be a donor—young or old, with or without glasses, even those who are blind—as long as the cornea is healthy and free from disease or injury,” she says. It’s a quiet but powerful way to give hope, long after we’re gone.

Ioni Mendoza’s first solo exhibit, “Seeing Colors of Hope,” opens on Saturday, August 9, 3:00 PM at Life ‘n Arts Gallery, Solenad 3, Sta. Rosa, Laguna. Entrance is free.

#IoniMendoza #soloexhibit #LifenArtsGallery #rubyspreciousmoments #rubyasoyph

Reflect and Reconnect with the ‘Of Art and Wine’ Series: ‘The Light That Never Goes Out’ Exhibit at Conrad Manila

The hotel opens its latest art collection that explores spiritual journeys through color, texture and light.

 

Conrad Manila unveils the 36th edition of its highly acclaimed ‘Of Art and Wine’ Series titled “The Light That Never Goes Out”, featuring the works of abstract expressionist Coeli Manese. Presented in collaboration with Space Alt, the exhibit runs from July 15 to September 13, 2025, and invites guests to pause, reflect, and reconnect through a vibrant display of color, texture, and emotion.

“Coeli’s abstract works align beautifully with Conrad Manila’s design philosophy – bold, intuitive, and layered with meaning. Her ability to translate inner emotion into visual form invites thoughtful connection, something we believe our guests deeply value,” shares Fabio Berto, general manager of Conrad Manila. “Through The Light That Never Goes Out, we continue our mission to showcase contemporary Filipino talent in a setting that inspires both introspection and conversation.”

This solo exhibition unfolds across three themes: Eternal Light, symbolizing an enduring presence beyond what is visible; Inner Illumination, reflecting the quiet force of insight and personal transformation; and Resilient Hope, portraying faith’s quiet triumph over adversity. Coeli Manese’s nuanced use of mixed media and color deepens this narrative, with each hue emotional and symbolic resonance – Payne’s grey for wisdom and growth, turquoise for healing and renewal, and burnt sienna for humility and devotion. Through this palette, her works become more than visual expressions, they are contemplative spaces for grace, reflection, and renewal.

“The artworks in this collection are a deeply personal reflection of my journey through faith, resilience, and creative awakening,” says Coeli Manese. “Each piece is born from moments of quiet introspection, guided by the enduring presence of divine love and light. Through symbolic colors and layered textures, I hope to evoke a sense of peace and spiritual connection. May this collection illuminate your own path and stir within you the same hope and wonder that inspired its creation.”

Coeli Manese at Gallery C with her “I Choose You” painting.

The ceremonial ribbon cutting which marked the official opening of the exhibit was led by Elizabeth Sy, President of SM Hotels and Conventions Corporation; Peggy Angeles, Executive Vice President of SM Hotels and Conventions Corporation; Brigido Simon Jr., Guest of honor; Lucky Ou, Conrad Manila’s Director of Operations, and featured artist Coeli Manese.

“The Light That Never Goes Out” will take its viewers to a contemplative journey starting July 15 to September 13, 2025, at Gallery C, located on the third level of Conrad Manila. Through a series of mixed media works, Coeli Manese invites viewers to pause, reflect, and reconnect with the spiritual currents that guide us.

All artworks are available for acquisition. For inquiries and more information, guests and art enthusiasts may contact +632 8833 9999 or email Conrad.Manila.info@conradhotels.com.

 Art & Indulgence: “The Light That Never Goes Out” Inspired Afternoon Tea Experience

 In celebration of the new exhibit, Conrad Manila invites guests to indulge in an inspired symphony of art and flavor. From July 15 to September 13, 2025, C Lounge becomes home to a delightfully contemplative journey, with its meticulously curated afternoon tea of geometric savory and sweet creations, echoing the architectural spirit of Coeli Manese’s abstract compositions. Highlights include smoked duck on rye with truffle cream, taro & edamame purée on sesame crisp, seared tuna on toasted milk bread with yuzu aioli, grilled eggplant terrine with miso glaze, ashen sesame financier with black tea glaze, tan coconut mousse on almond sablé, coffee cream pyramid with cocoa dust, burnt vanilla panna cotta – all thoughtfully plated to reflect the exhibit’s introspective textures and hues.

Coeli Manese and the themed afternoon tea at C Lounge.

Guests may enjoy the inspired afternoon tea experience at C Lounge, with welcome drinks and a pot of tea or coffee, good for two persons. For reservations and inquiries, contact Conrad Manila at +632 8833 9999 or email MNLMB.FB@ConradHotels.com.

#ConradManila #CLounge #OfArtandWineSeries #CoeliManese #rubyspreciousmoments #rubyasoyph

LGBTQIA+ stories and bold direction at CCP’s Virgin Labfest XX: Hinog

Queer representation has always had a home in Filipino theater. Over the years, it evolved from subtle innuendos and comic relief to a more nuanced, empowering portrayal that challenges societal norms and celebrates diverse identities. These plays assert the importance of inclusive human narratives and provide an opportunity for self-discovery – both for LGBTQIA+ individuals and audiences.

For years, the Virgin Labfest puts the spotlight on queer characters, particularly their struggles, joys, and triumphs. Their stories are brought to full bloom in the 20th edition of the country’s theater festival of untried, untested, and unstaged plays.

Mga Magindara sa Siyudad

In the play written by CJ Junio, two friends Maureen and Maylene are known as the magindara (mermaids) of the local carnival. Together with their makeshift stage, each month they travel across towns, singing nightly as a form of crowd entertainment. Mga Magindara sa Siyudad tackles themes of systematic oppression and social confinement, with engaging characters that struggle to rally against their fate.

Noong binubuo ko na siya, malinaw sa akin na hindi siya magiging another gay play. Masyado na kasing maraming escapist at pa-emotional na characters  what we are missing is a character na nagde-decide at nag-a-acknowledge ng present,” says director Riki Benedicto who directed Mga Magindara sa Siyudad, one of the featured plays in VLF XX: Hinog.

Benedicto emphasized the main character’s (Maureen) stand in life as representative of their core as a person, regardless of gender or identity: “The goal is to evoke empathy, provoke thought, and  inspire a deeper understanding of the human struggle and the imperative for active engagement in shaping our own destinies.”

Polar Coordinates

On the other hand, Polar Coordinates director Paolo O’ Hara aims to blend math, art, and the beautiful chaos of humanity.

Playwright Ade Valenzona’s one-act play spotlights Igo, a grade 10 student who failed his summative assessment in Math. His friend Bobbie offers to tutor him, providing him much-needed assistance amid the turmoil of his family falling apart. Like polar coordinates, Igo must figure out who he is, where he is going, and how to connect people and occurrences along the way.

VLFXX Hinog – Sa Babaeng Lahat. Photo by Kiko Cabuena.

Sa Babaeng Lahat

Akin to Maureen and Igo’s characters, the protagonists of Sa Babaeng Lahat also go through their journeys towards figuring out their relationship with religion, sexuality, friends, and ultimately, themselves.

Playwright Elise Santos tells the story of 14-year-old Marie who believes she has been chosen by God to be the next Immaculate Conception and her best friend Regina who struggles with her feelings for Gab—the school’s resident tibo—as they practice for the Bible Week singing competition at an all-girls Catholic school.

“I hope that this play makes young girls feel seen and validated. It’s hard being a teenage girl. It’s messy and complicated yet so pivotal in our lives,” shared Sa Babaeng Lahat director Caisa Borromeo.

Minating ni Mariah ang Manto ng Mommy ni Mama Mary

Religion also plays a significant part in Minating ni Mariah ang Manto ng Mommy ni Mama Mary by Eljay Castro Deldoc. Directed by Dexter Santos, the play examines pageantry, principles, and the politics of flamboyant traditions in the industry of pagsasanto. Through the character of Mariah, a retired scammer returning to religion, audiences are given a glimpse of the lengths people would go through in the name of faith and redemption.

Since its inception in 2005, the Virgin Labfest continues to push boundaries and provide space to stories—raw, challenging, and sometimes uncomfortable—that often go unheard. With queer narratives, the VLF champions the LGBTQIA+ community’s lived experiences and brings people closer through truthful and compelling storytelling.

For more information on the festival schedule and ticket prices, visit the official social media accounts of VLF, CCP, Tanghalang Pilipino, and Writer’s Bloc on Facebook, X, Instagram, and TikTok. For group discounts and ticket inquiries, email salesandpromotions@culturalcenter.gov.ph.

#CCP #VLF #LGBTQIA+ #rubyspreciousmoments #rubyasoyph

 

Crimson Hotel marks Pride Month

Crimson Hotel Filinvest City, Manila officially launched its 2025 Pride Month celebration with a vibrant event held at Alibi Lounge•Bar.

Centered on the theme #HappyToBe, the campaign honors self-expression, individuality, and community through inclusive programming that blends hospitality, art, and advocacy.

The launch event held on 11th June introduced Stay with Pride, a special room package that supports LoveYourself Inc, an organization committed to HIV awareness and LGBTQIA+ support services. Guests can book using promo codes HAPPYTOBE and STAYWITHPRIDE, with inclusions like breakfast or dining credits.

Stay with Pride

Crimson Hotel’s Pride campaign runs throughout June, inviting guests to participate in its ongoing promotions while fostering a space that is safe, welcoming, and joyful for all.

A taste of Pride

Complementing the stay experience are Pride-themed culinary offerings across Crimson Hotel’s dining outlets.

These include the Blush & Bloom cocktail, a hibiscus and raspberry drink available in all restaurants; a Boutique Dinner Buffet with Pride Delights at Café Eight every Friday and Saturday; and a colourful range of pastries and drinks at Baker J such as the Pride Croissant, Pride Macarons, and Pride Spritzer.

Boutique with Pride

On top of its food and beverage offerings, the hotel also unveiled the Color Parade: Pride Art Exhibit at the lobby on the eighth floor, in partnership with the South Arts Festival.

The exhibition features works from a diverse lineup of artists: Ruth Cancio, Kate Tinamisan, Yvonne Harmony, Jeanette Kamphuis, Criselda De Leon, Celina Villaruel, and Anne Labesores. It’s a showcase that highlights identity, resilience, and personal storytelling through art. A live painting session by JJ Duque marked the exhibit’s opening night.

From left: Ronie Reyes, JJ Duque, Anne Labesores, Ruth Cancio, Olivier Ramos, Jeanette Kamphuis, Yvonne Harmony, Criselda de Leon, Celina Villaruel, Jel Ong.

Meet the new man at the helm

The evening also served to formally introduce Crimson’s new hotel manager Olivier Ramos. Ramos brings over two decades of global experience in luxury hospitality. In his welcome remarks, he emphasized Crimson’s commitment to inclusion by saying, “At Crimson, everyone deserves to feel ‘Happy To Be’ exactly who they are. Whether you’re a guest, an artist, a colleague, or a friend of the brand, your story matters here.”

The celebration continued with “Unfiltered: A Bar Takeover” featuring guest mixologist Jam Nhela, serving bold, Pride-inspired cocktails in collaboration with Absolut and Monin.

Setting the evening’s rhythm was guest DJ Rae Viloria, headlining the first of the month-long “Glow: Pride Nights” happening every Friday at Alibi Lounge • Bar together with DJ Mike Lavet.

For bookings and more details, visit www.crimsonhotel.com/manila or follow @crimsonhotelfilinvestcity on social media.

#CrimsonHotelFilinvestCity #pridemonthcelebration #rubyspreciousmoments #rubyasoyph

 

CCP 21AM Collection Artworks on Display at the National Gallery Singapore

The Cultural Center of the Philippines (CCP), through its Visual Arts and Museum Division, has loaned five significant artworks from its collection to the National Gallery Singapore (NGS), reinforcing its ongoing efforts to bring Philippine art to a wider international audience. This initiative not only showcases the depth of Filipino creativity but also helps strengthen cultural ties across Southeast Asia, fostering greater appreciation and collaboration in the region’s vibrant arts scene.

The artworks from the CCP 21st Century Art Museum (21AM) Collection — Painting No. 1 by National Artist Jose Joya; Portrait of Fernando Zóbel and Fernando Zóbel Lecturing on Art and a Student Listening II, both by David Cortez Medalla; Calligraphic Oracle by Manuel Rodriguez Sr.; and Ku III by Fernando Zóbel — are featured in NGS’s first-ever solo exhibition dedicated to transcontinental abstract artist Fernando Zóbel (1924–1984).

Born in the Philippines to a prominent Spanish family, Zóbel was an avid traveler, a cosmopolitan thinker and writer, and a pioneering collector who established two modern art museums in the Philippines and Spain. His lifelong, wide-ranging interests shaped his expressionist and abstract works in drawing, printmaking, painting, and photography.

He held his first solo exhibition at the Philippine Art Gallery in 1952, invigorating the postwar art scene in the country. In 1960, Zóbel left the family business in the Philippines to fully devote himself to artistic pursuits.

The inaugural showcase of his works in Singapore, the exhibition Fernando Zóbel: Order is Essential, introduces this legendary visual artist to new audiences, offering insights into his multifaceted contributions as an artist, patron, collector, and scholar. Featuring over 200 pieces — including paintings, drawings, prints, photographs, and archival materials — the exhibition highlights Zóbel’s role in bridging cultural contexts and enriching global dialogues on modern art.

According to the CCP Encyclopedia of Philippine Art, David Medalla’s Portrait of Fernando Zóbel marks an early phase in the artist’s exploration of unconventional expression. The work emphasizes the flatness of the canvas through simple, linear forms inspired by children’s drawings and so-called “primitive” art. It also reflects a strong Dadaist influence and aligns with the raw aesthetic of Art Brut, blending satire and playfulness – characteristics that later became hallmarks of Medalla’s practice.

In the portrait, the usually refined and esteemed business tycoon Zóbel is reimagined through a whimsical lens. Using mixed media on black paper, Medalla transforms him into a playful figure with an exaggerated grin, subverting the formality typically associated with portraiture.

The piece was part of Medalla’s debut solo exhibition, which featured large-scale paintings incorporating unconventional materials such as sand, seashells, and gravel with oil paint. This portrait is one of three paintings depicting Zóbel in the CCP 21AM Collection; the others are also titled Portrait of Fernando Zobel and made in 1956.

In Fernando Zóbel Lecturing on Art and a Student Listening II, Medalla uses pen and ink on paper to depict Zobel, who was widely known for his Saeta series.

Reflecting the development of Philippine modern art, Manuel Rodriguez Sr. presents a collograph with orange linear strokes dominated by a deep green background in his work, Calligraphic Oracle.

Painting No.1 by National Artist Jose Joya depicts his abstract expressionist influence through bold images of irregular geometric shapes with overlapping patterns. This style was influenced by his travels and studies in Spain in Europe.

Named after Zóbel’s famous remark that guided his artistic practice, the exhibition sheds light on a lesser-known aspect of his abstraction – a meticulous and controlled creative process involving multiple iterations before finalizing each work.

Fernando Zóbel: Order is Essential follows the exhibit Zóbel: The Future of the Past, which opened at Museo Nacional del Prado (2022) in Spain and was later restaged at the Ayala Museum (2024) in the Philippines. Expanding on key narratives, NGS’s distinct and refreshed iteration introduces exclusive works and offers a unique perspective on Zóbel’s artistic evolution and transcontinental practice.

Spanning two gallery spaces, the exhibition is organized into five sections: “Half of This Haunted Monk’s Life,” “With Every Single Refinement,” “Thin Lines Against a Field of Colour,” “Movement That Includes Its Own Contradiction,” and “The Light of the Painting.”

The exhibit opened on May 9 and will run until November 30, 2025, at the Wu Guanzhong Gallery and Level 4 Gallery at National Gallery Singapore. For more information on Fernando Zóbel: Order is Essential, visit: https://www.nationalgallery.sg/sg/en.html. To get the latest on the CCP 21AM Collection, visit the CCP website (www.culturalcenter.gov.ph).

 

#CCP  #21AMCOLLECTION #NationalGallerySingapore #rubyspreciousmoments #rubyasoyph

Celebrating Philippine Textile Excellence: Likhang HABI Announces 2025 National Weaving Competitions

In a country where cultural identity is woven into the very fabric of its history, HABI: The Philippine Textile Council proudly announces the launch of the 8th Lourdes Montinola Piña Weaving Competition, and the 4th Eloisa Hizon Gomez Abaca Weaving Competition, inviting master artisans and weaving communities across the archipelago to showcase their extraordinary craftsmanship.

This year’s competitions will culminate at the 15th Likhang HABI Market Fair on October 10-12, 2025, to be held at a new, more expansive venue: SPACE in One Ayala, Makati. The larger location reflects the growing national appreciation for these ancient crafts that have been passed through generations of Filipino hands.

“We want to give voice and value to the hands behind every woven creation,” says the council’s founder, Maribel Ongpin. “The artistry of Filipino weavers deserves a national stage.”

Celebrating Two Iconic Philippine Fibers

In an era dominated by fast fashion and mass production, these competitions stand as powerful reminders that sustainability, heritage, and identity can be preserved through the patient work of skilled hands. The spotlight will still be on piña and abaca fibers, deeply connected to Filipinos’ cultural identity. The delicate, translucent piña, made from pineapple leaf fibers, has been a symbol of Filipino elegance for centuries; on the other hand, abaca, known globally as Manila hemp, represents the strength and versatility of Philippine natural resources.

The two competitions build upon last year’s impressive showcase of talent. The 2024 Piña Competition celebrated Edgar Cornito’s “Piña Silk, Black and Gold Sinuksok” with first place honors, followed by Raquel Eliserio’s “Rosas de Papel with Rengue” in second. Third place resulted in a tie between Rosalvie Tumaca’s “Piña Silk Kalabasa” and Perlie Florencio’s “Piña Silk Multi-Harness Geometric Pattern.” Special recognitions went to Jannalyn Rasonable, who received the Nadres Young Weaver Award, while Ursulita Dela Cruz and Therese Angela Sulang earned the Filip + Inna Innovation Award.

The Abaca Competition similarly celebrated extraordinary craftsmanship with outstanding creations such as an Abaca Fino Barong by Rolly Arboleda of LA HERMINIA WEAVING INDUSTRY, and an Abaca Macramé creation by Arlene Yamog and Mayra Iledan.  Other notable winners from past years include Myrna Pula for her entry “Doub Basag” (Palm Leaf); Annaliza Angcoy of TADECO for her entry T’nalak “Hafak Menual” or Wings of an Eagle; and Rey Rosea Monon Dillera of the Bagobo Tagabawa community for her submission, inabel design. Ms. Dillera is the daughter of  Salinta Monon, who was a recipient of the National Living Treasures Award (Manlilikha ng Bayan) in 1998, for dedicating her life to preserving her craft and establishing the School of Living Tradition in Bansalan, Davao del Sur, where she taught the art of weaving to younger generations.

Under the piña competition, winners from previous years include Ursalita de la Cruz, Anna India Legazpi, and Melanie Palmon of Sr. Alfred Crafts Aklan.

Mechanics

Entries will be judged on authenticity, creativity, technical skill, and cultural narrative, with winners receiving recognition, cash prizes, and national exposure to cultural institutions, designers, and textile enthusiasts.

For the 8th Lourdes Montinola Piña Weaving Competition, there are three categories that participants can enter: Liniwan, Pure Piña, and Natural Fiber Blends with Piña, (Seda/ Jusi/Cotton/ Abaca). Entries must have a minimum length of two meters. There are no structural limits on the width, and, for the Liniwan category, the fabric must be plain (with no design). Additional points will be awarded for the use of natural dyes. A list of materials used and a detailed description of the processes involved in making the piece must be included in the submission.

On the other hand, for the 4th Eloisa Hizon Gomez Abaca Weaving Competition, the following categories are open for entries: Ikat (dyeing technique used to create distinct patterns), Abaca Craft (handcrafted creations made from pure abaca, not necessarily woven), and Nipis (fine, woven pure abaca). Submissions should have a minimum length of two meters and a maximum length of six meters, and there are no structural limitations on the width, Additional points will likewise be awarded for the use of natural dye.

HABI extends this year’s invitation to weavers, weaving communities, and independent artisans from across Luzon, Visayas, and Mindanao, who can send their creations to the Habi office at 962 May Street, Mandaluyong City. The competition particularly aims to elevate regional weaving practices, bringing visibility to communities where these traditions remain vital cultural practices.

Interested weavers and communities should submit their entries on or before September 1, 2025. Full competition details and entry forms are available on the HABI website at www.habiphilippinetextilecouncil.com or directly via https://bit.ly/3ESE734. Additional inquiries may be directed through HABI’s social media accounts
Facebook – https://www.facebook.com/HABICouncil OR
Instagram https://www.instagram.com/habicouncil/ or via HABI’s
Website – https://www.habiphilippinetextilecouncil.com

#HABI #PhilippineTextile #callforentries #rubyspreciousmoments #rubyasoyph

Ceramics and Puni Art Unite at Ascott Makati’s Celebration of Filipino Craftsmanship

For years, Ascott Makati has stood as a landmark in the heart of Makati City, earning recognition as a trusted 5-star hotel and luxury serviced apartment. While delivering warm Filipino hospitality and world-class service has always been its foremost commitment, Ascott Makati has, in recent years, taken meaningful steps to champion initiatives that celebrate, preserve, and uplift the country’s rich culture and heritage. Its latest project, Likha: Ceramics and Puni, is a month-long exhibit that showcases two proudly Filipino forms of craftsmanship.

Art connoisseurs are no strangers to the ultra-talented husband-and-wife team, Jon and Tessy Pettyjohn. Long recognized as pioneers of contemporary Philippine ceramics, the Pettyjohn’s first fell in love with the craft in the 1970s, drawn to the endless possibilities of molding and shaping clay. Their passion for ceramics deepened when they naturally began sharing their knowledge with others. Though initially hesitant to take on the role of teachers, their willingness to mentor soon led to the growth of a thriving community of ceramic artists in the Philippines. To this day, the Pettyjohns continue to welcome students and visitors to the must-visit Pettyjohn Pottery in Laguna.

For Likha, the Pettyjohns are showcasing pieces from their personal collection, created over the past 10 years, that hold special meaning for them. Many of these works have a sculptural quality while still maintaining their functionality — a signature of the Pettyjohns, who are well known for their useable art. When asked to further describe his work, Jon shared, “Our goal is to bridge art and function, to blur the line between. Flower arranging vessels are perfect for this kind of experimentation.”

Among the highlights of the exhibit is Tessy’s ‘Star Trek’, so named because its shape resembles the iconic Federation logo — a challenging form she constructed in porcelain. Jon, meanwhile, presents his ‘Anagama Dance’ series, created through a three-day firing process that produces a subtle, natural ash glaze effect — quite literally painted by fire.

Puni, on the other hand, is a Tagalog or Filipino word which means to decorate or beautify. For Ascott Makati’s Likha exhibit, it refers to the traditional art of weaving, folding or braiding leaves which is only formally taught in Malolos, Bulacan. Inspired by the beauty of Palaspas and the rich tradition of Palm Sunday, Ascott Makati turned to two of Bulacan’s champions of Puni art— Punique Handicrafts and Puni de Malolos.

Punique Handicrafts is a social enterprise founded by Jonnah Garcia, whose mission is to provide sustainable livelihood opportunities and empower female weavers in her hometown of Bulacan through the creative revival of Puni art. While her advocacy is admirable in itself, what makes it truly stand out is her innovative approach to reviving this traditional craft and transforming it into contemporary, functional art.

Once limited to Palaspas, food containers, and toys, Puni has been reimagined by Punique Handicrafts into fashion accessories, bridal bouquets, and home décor. The brand has also expanded its reach beyond the Philippines, with products now available in Canada and Hong Kong.

At Ascott Makati’s Likha exhibit, Punique Handicrafts artfully complements the ceramic creations of Jon and Tessy Pettyjohn with their own intricate, handcrafted Puni pieces. Their detailed handwoven components are inspired by what is seen in nature. Punique will showcase handmade flowers such as roses, dandelions and lilies together with leaf and bead accents known as their interpretation of the pabo real, tigbi, butil and the famous banig or mat. These elements will be turned into one-of-a-kind masterpieces by their Senior Designer Mr. Henry De Guzman.

Ascott Makati goes beyond simply mounting an exhibit. This marks the introduction of a new brand touchpoint for the hotel — with the aim of making Puni art more visible within the property and giving guests the opportunity to learn about this beautiful Filipino tradition. This initiative was made possible through a collaboration with Puni de Malolos, represented by Tourism Officer Marichelle Bernardo, who conducted a training session for the hotel’s Housekeeping team.

Puni de Malolos is a well-known champion of palm weaving in Bulacan. Under Bernardo’s leadership, the group has been actively teaching the art of Puni to inmates, students, and individuals of all ages across the country.

Ascott Makati’s Likha: Ceramics and Puni officially opened on May 29 with an intimate cocktail gathering attended by hotel guests, corporate clients, and friends from the media. Welcoming everyone to the occasion was Cluster General Manager Cecille Teodoro, who reaffirmed Ascott Makati’s commitment to advocating for Filipino arts and heritage. Guests were among the first to witness the beautiful fusion of Ceramics and Puni, meet the artisans behind the works, and even try their hand at Puni weaving.

 Likha: Ceramics and Puni will be on display until June 29, 2025, at Ascott Makati’s hotel lobby. Select ceramic pieces by Jon and Tessy Pettyjohn, as well as floral bouquets by Punique Handicrafts, will also be available for purchase.

For more information, please call 02 7729 8888 or email frontoffice.am@the-ascott.com.

#AscottMakati #Likha #JonandTessyPettyjohn #rubyspreciousmoments #rubyasoyph