Posted on

Asian Cultural Council Philippines announces benefit auction set at Leon Gallery

León Gallery once again opens another art-filled year with its traditional annual partnership with The Asian Cultural Council to commemorate and celebrate the visionary artistry of the Filipino.

ACC Philippines Chairman Ernest L. Escaler remarked that León Gallery and the Asian Cultural Council have, for the past eleven years, “have stood side by side in a shared vision—to champion the arts as a force that transcends borders, sparks dialogue, and shapes cultural leadership.”

“This year’s benefit art auction is held on Valentine’s Day as an ode to love in its most enduring form: love for the arts, love for generosity, and love for helping others realize their creative potential,” Escaler said.

Meanwhile, Leon Gallery Director Jaime Ponce de Leon shared, “The spirit of collaboration and partnership runs deep in this year’s edition of the Asian Cultural Council Auction. This year, we are celebrating 11 years of our fruitful partnership with a foundation that has always remained committed to championing the virtuoso of the Filipino artist by allowing him to spread his creative wings on foreign shores.”

“Our major highlights for this year’s ACC auction underscore the remarkable collaborations between our esteemed Filipino artists,” added Ponce de Leon.

Paglaom Padayon is a monumental mural-sized painting created by the Sanggawa group, an artists’ collective that was composed by former Salingpusa group members and now influential forces in the contemporary art scene: Elmer Borlongan, Mark Justiniani, Joy Mallari, Karen Flores, and Federico Sievert. The title is a Cebuano phrase that translates to “move forward with hope” and is a modern-day homage to Botong Francisco’s iconic 1964 mural Filipino Struggles Through History. Paglaom Padayon encapsulates the Filipino people’s collective power, fueled by a shared vision and hope for the nation’s advancement.

Another collaborative mural-sized painting is Mauro Malang Santos’ collaboration with his two beloved sons, Soler and Steve. Painted in 2000, the new millennium, the colossal work marked Malang’s 72nd birthday and his four-decades in the art scene.

Patricio Gaston O’Farrell, the favorite student of the great Juan Luna, graces this auction with a copy of his mentor’s now-lost 1887 masterpiece, titled Portrait of Christ, depicting the weary Jesus as he is presented to Pontius Pilate for his trial. Portrait of Christ serves as a surviving memento of Luna’s lost work, which he painted four months after his marriage to Paz Pardo de Tavera in order to prove his religious piety to her wife.

Another work by O’Farrell, Sumbungan, depicts the betrayal of the Katipunan by a katipunero, Teodoro Patiño, who divulged the existence of the revolutionary group to Fr. Mariano Gil, then the parish priest of Tondo. The painting is one of O’Farrell’s last works, painted a year before he died in 1942. Both Portrait of Christ and Sumbungan came from the collection of Gaston O’Farrell’s daughter, Edith.

Félix Resurrección Hidalgo’s Bois de Boulogne immortalizes the esteemed ilustrado’s favorite urban refuge during his 17-year Parisian period, one that captured and witnessed the melancholies of his heart and soul. On the other hand, Fernando Amorsolo’s Site of U.P. Diliman, painted in 1947, captures the then-countryside expanse of what would become the future location of the country’s prestigious national university. When Amorsolo painted this work, he was serving as the director of the UP School of Fine Arts. Another important Amorsolo painting is the 1933 work Marikina, acquired by Alex Frieder, who persuaded President Manuel Quezon to create a safe haven for Jews fleeing the Holocaust in Europe. The result was the establishment of the Jewish Refugee Committee of the Philippine Islands in the late 1930s, which was responsible for saving the lives of more than a thousand Jews from Germany and Austria.

Anita Magsaysay-Ho_Barrio Scene.

Anita Magsaysay-Ho and her quaint Barrio Scene is one of her first paintings as a newlywed woman, marrying the Chinese magnate Robert Ho, and thus, one of her first works signed with the iconic “Anita Magsaysay-Ho.” It was acquired by Paul H. Woods, once the president of the influential American Chamber of Commerce of the Philippines and also a former president of the Philippine subsidiary of the International Harvesters Company, an American manufacturer of agricultural equipment, machinery, and tractors.

Also an important work is Danilo Dalena’s America, which is a surviving work for an intended series, the Port Authority Series that would have embodied his satirical impressions of the United States he visited and witnessed in the 80s. The Filipino iconoclast and provocateur Manuel Ocampo stands out with his 1990 mixed media masterpiece, Murio la Verdad.

A portion of the proceeds from this annual auction will help fund various ACC grants for Filipino and other Asian artists and arts-based practitioners.

Escaler eagerly invites everyone to participate in this momentous occasion, “On this day of love, we invite you to be part of a collective effort that strengthens our cultural ecosystem and affirms the lasting power of art to inspire, connect, and transform.”

G/F Eurovilla 1, Rufino corner, Legazpi Streets, Legazpi Village, Makati City, Philippines

Office: +632 856 2781 / +63 928 507 0445 | Web: info@leon-gallery.com / www.leon-gallery.com

The Asian Cultural Council Auction is happening this February 14, 2026, 2 PM, at Eurovilla 1, Rufino corner Legazpi Streets, Legazpi Village, Makati City. Preview week is from February 7 to 13, 2026, 9 AM to 7 PM. For further inquiries, email info@leon-gallery.com or contact +632 8856-27-81. To browse the catalog, visit www.leon-gallery.com.

Follow León Gallery on their social media pages for timely updates: Facebook – www.facebook.com/leongallerymakati and Instagram @leongallerymakati.

#AsianCulturalCouncilAuction #LeonGallery #rubyspreciousmoments #rubyasoyph

Posted on

CCP Pasinaya 2026 shapes the future of artmaking across new venues

For the first time, the CCP Pasinaya Open House Festival, the country’s largest multi-arts festival organized by the Cultural Center of the Philippines (CCP), brings its vibrant celebration to the province of Capiz, joining Tagum City and Iloilo City as its regional partner venues.  The National Parks Development Committee also joins CCP Pasinaya with performances and a Pamilihan at the Rizal Park Luneta.

For its NCR leg, CCP Pasinaya happens simultaneously at the Circuit Performing Arts Theater (CPAT) in Makati City and the Metropolitan Theater in Manila City.

Catch CCP Pasinaya’s pay-what-you-can, watch-all-you-can performances in Luneta, CPAT, and the Met Theater

Festival-goers may watch performances of various groups in Rizal Park Luneta, among whom are the Philippine High School for the Arts’ Dulaang Sipat Lawin. Ang mga Manunubli ng Sinala, Samahang Nazareno Inc., Lahing Balangeña Performing Arts, and the University of Perpetual Help System’s DALTA Molino Performing Arts Group.

Besides a marathon of world-class performances, attendees may support local vendors and entrepreneurs in Rizal Park Luneta, courtesy of CCP Pasinaya’s Pamilihan component.

At the  CPAT Activity Center, the Muntinlupa Dance Company, Centro Escolar University’s Folk Dance Troupe, and University of the East’s Silanganan Dance Troupe present some of the nation’s folk dances. Comedic duo Wanlu and Nicolo wows with puppetry.

Batangas State University’s Diwayanis Dance Theater dazzles along with the students of Temple Hill International School, The Saint Benilde Romançon Dance Company, Lipa Actors Company, and Kids Acts at the Met Theater on February 8. Globally acclaimed choirs Philippine Madrigal Singers and Imusicapella also captivate hearts with melodies.

Still at the Met, CCP Pasinaya’s Pamilihan component takes the spotlight on February 7. The Philippine Philharmonic Orchestra facilitates an interactive instrument experience. SPIT Manila also shares wit and wisdom in a 1-hour introduction to improvisation comedy.

Unmasking the magic of puppetry is the International Ventriloquist Society of the Philippines, and tracing the myth of movement is the Alice Reyes Dance Philippines. Repertory Philippines will treat festival-goers to a lecture on Shakespeare’s life and works at the NCCA Met Theater.

Across the regions with CCP Pasinaya in Tagum, Iloilo, and Capiz

Carrying the theme “Paglikha sa Kinabukasan”, CCP Pasinaya provokes a deeper appreciation for Philippine arts and culture in the younger generation as it travels to Tagum City, Iloilo City, and, for the first time, to Roxas City, Capiz.

In its 20th edition, the CCP Pasinaya commences in Robinsons Roxas, Capiz, with a performance of Filamer Christian University’s Dance Company and Chorale on February 7. Joining them are the Tanque National High School Rondalla, CPC Sarayawan Dance Company, CapSU Main Dance Troupe, and Leyte Dance Theater.

Mindanao State University’s Tambuli Cultural Dance Troupe, and Hiphop Gen San delight audiences in Capiz State University (CapSU) with Artes Bailes Iloilo and Silliman University Dance Company. Also across CapSU’s premises, Mandaue Children’s Choir, UM Chorale Davao, CPC Chorale, Cuartero National High School Taliamba Ensemble, Cuerdas De Panay Rondalla, and The Nightingales enthrall with majestic melodies.

Sining Kambayoka Marawi, Kasing Sining Bohol, and Dagway Sigmahanon Inc. showcase theatrical performances at CCP Pasinaya in CapSU from February 7 to 8.

Now in its 3rd year as CCP Pasinaya’s regional partner, the Iloilo Museum of Contemporary Art (ILOMOCA) hosts artistic performances, workshops, and exhibitions on February 7. PCD School of Performing Arts, Bereber Sayaw Parkinson’s Disease, and SF School of Dance beautifully convey emotions through movement.

Musical performances by the Cuartero National High School Taliamba Ensemble, University of San Agustin Choir, and Troubadours enrich the CCP Pasinaya experience at ILOMOCA. UP Visayas Living Room Theatre, UP High School Iloilo Junior Theatre Arts Club, and the University of San Agustin Little Theater present tales of life’s quirks.

Through performance art, Salíngsing and Kikik Kollective weave emotional connections in CCP Pasinaya in ILOMOCA.

Passion for the arts flourishes in Tagum City’s Cultural Center on February 7 as Danza Filipina and Hiyas Mananayaw perform along with the LFNHS Folkloric Dance Troupe, Kadayaman Dance Guild, and Letran Dance Group. Sto. Tomas Kwerdas Rondalla, the 2025 National Music Competitions for Young Artists Junior Rondalla Category Champion, sets the joyous energy of CCP Pasinaya.

Hear the golden voices of UM Rondalla, League of Young Voices, and Tagum City Children’s Choir. Also adding to the brilliant roster on February 7 in Tagum City are Panabo Dance and Theater Group, Tanghalan ng Tagum Performers, and  TCNHS’ Choir and Conexus Harmonia Chorale.

Attendees may also bask in music’s power with Kalinaw Mindanao, Kuntaw Mindanao, Drum Up, and Tagum City Symphonic Orchestra. Pasalidahay Sa Tagum caps off the festivities on February 7.

On February 8 in Robinsons Tagum, En Avant Dance Centre and Katribu Mindanao spearhead CCP Pasinaya. Guest artists also flock from Davao City, Davao de Oro, Agusan del Sur, and Lake Sebu, South Cotabato for the celebration.

From a marketing platform to a growing network forged by passion

As it expands to more venues since 2005, CCP Pasinaya: The Open House Festival has definitely thrived beyond its initial goal of promoting CCP’s upcoming events. Performing art groups and artists gather from all over the country, making Philippine arts and culture more accessible with their generous participation.

Utilizing a “pay-what-you-can, workshop-all-you-can, and watch-all-you-can” scheme, CCP Pasinaya entices audiences to participate and reawaken their creativity and art appreciation.

Pre-registration for Manila venues is now available on the CCP’s official social media accounts. For regional attendees, you may check the respective venues’ online pages.

Participants across all locations are invited to join Paligsahan, the newest component of CCP Pasinaya. Follow the CCP on Facebook, Instagram, and TikTok for more updates on which segments apply to your location.

To learn more about CCP’s productions, workshops, and events, visit its official website (www.culturalcenter.gov.ph).

#CCPPasinaya #CCP #rubyspreciousmoments #rubyasoyph

Posted on

Usher in the Year of the Horse with ‘Of Art and Wine’ Series: Conrad Manila Unveils ‘Spectrum of Abundance’ by Lizanne Uychaco

The iconic hotel by the bay presents a captivating art exhibition at the Gallery C, featuring artworks that embody good fortune and prosperity.

 

Conrad Manila opens its 2026 Of Art and Wine series at Gallery C with Spectrum of Abundance, a solo showcase byLizanne Uychaco, celebrated as the country’s first and only Feng Shui artist. Curated by esteemed art connoisseur Nestor Jardin, this 24-piece art collection will be open for viewing from January 21 to March 21, 2026, offering an artistic tribute to the Year of the Horse through themes of success, harmony, and abundance.

“Conrad Manila remains steadfast in its commitment to champion Filipino artistry that resonates with meaning and cultural depth,” said Akshat Sinha, hotel manager of Conrad Manila. “Through this year-opening showcase, we aim to share the promise of prosperity and positive energy that 2026 brings, as reflected in Ms. Uychaco’s exceptional artistry rooted in her Chinese-Filipino heritage.”

Spectrum of Abundance presents a series of auspicious works inspired by ancient symbols of luck, strength, harmony, success, wealth, happiness, and abundance – to celebrate and honor the Year of the Horse. Executed in richly textured mixed media, Lizanne’s works reflect her mastery across diverse disciplines – sculpture, pottery, jewelry, calligraphy, and painting. Each piece radiates positive energy, a harmony of culture, heritage, and artistic spirit.

Peggy Angeles, Executive Vice President of SM Hotels & Conventions Corporation leads the ceremonial wine toasting.

The ribbon cutting ceremony, was graced by distinguished guests, including Elizabeth Sy, President of SM Hotels and Conventions Corporation; Peggy Angeles, Executive Vice President of SM Hotels and Conventions Corporation; Rico Hizon, Consultant of SM Investments Corporation and Guest of Honor; Akshat Sinha, Conrad Manila’s Hotel Manager, and Lizanne Uychaco.

Lizanne Uychaco’s distinctive art works

Lizanne Uychaco is widely recognized as the country’s first and only Feng Shui artist. Her works stand out for their authenticity—rooted in her Chinese-Filipino heritage and brought to life through a masterful use of mixed media. A lifelong practitioner of the arts, Lizanne’s training spans sculpture, pottery, jewelry-making, silvercraft, Chinese painting and calligraphy, watercolor, oils, and acrylics. This breadth of expertise makes her pieces instantly recognizable and richly textured.

Her art is a compelling paradox of antiquity and modernity—a distinctive fusion of East and West. Each piece offers a contemporary interpretation of ancient cultural symbols, beliefs, and energies associated with protection, good fortune, wealth, success, and prosperity.

A recurring motif in her work is the Chinese coin with a square hole—a traditional charm symbolizing heaven (circle) and earth (square), in line with ancient Chinese cosmology. These coins, historically used as currency from the Qin Dynasty (221 BCE) to the end of the Qing Dynasty, embody both cultural heritage and metaphysical significance in her compositions.

Lizanne was first introduced to the public art scene by the Ayala Museum in 1993, through its Discovery Series curated by the late Museum Director Sonia Ner. This debut solo exhibition marked the beginning of a series of successful shows that followed.

All artworks are available for acquisition. For inquiries and more information, guests and art collectors may contact +632 8833 9999 or email Conrad.Manila.info@conradhotels.com.

 

#ConradManila #LizanneUychaco #OfArtandWineseries #GalleryC #SpectrumofAbundance #rubyspreciousmoments #rubyasoyph

Posted on

How the ‘baro’ transformed into the garment of Filipino identity

Every piña fiber, abacá, and jusi fabric woven into a barong Filipino carries the struggles of being acknowledged as the Philippine national dress for men. Along with them, the nation’s fight for acceptance and freedom is reflected in patterns drenched in Philippine culture and tradition.

“The barong Filipino overcame many obstacles, the biggest of which is the Filipinos’ own colonial mentality,” said cultural advocate and Gawad CCP awardee Dr. Nicanor Tiongson in his special lecture at Costume Laboratory (COSLAB) 2, the Costume Design and Construction Laboratory for Philippine Theater workshop held last November 17 to 23, at the De La Salle – College of Saint Benilde.

Through its Production Design and Technical Services Division, the CCP conducts ladderized workshops and lectures on the national dress with COSLAB. COSLAB started with the Traje de Mestiza from the 1890s to 1920s.  COSLAB 2 features the baro – the men’s shirt covering the period 1800s, 1920s and 1970s. COSLAB 2 has invited cultural studies pioneer Dr. Tiongson to share his expertise with budding and experienced Filipino designers.

Bearing witness to centuries of wars and establishment of governments, the barong Filipino is an active character in Philippine history. “There is still a need to write a scientific history of the development of this garment,” Dr. Tiongson continued.

The humble origins of the barong Filipino

Before Spanish colonization, the Philippines already had its own dress from 1521 to the 1660s. It was composed of the badu (a shirt that reaches down to the mid-thigh) and the bahag (g-string), which slowly adapted to Christianization and Hispanization.

Even after the opening of the Suez Canal in 1869, Spanish fashion remained inaccessible to the indios (colonized natives). But despite poverty hindering them from opportunities, they cultivated their national dress born from their struggles.

“These indios might have been chained to their little barrio from birth to death, but I believe their baro are the direct ancestors of the present barong Filipino,” Dr. Tiongson explained, noting how the national dress of Filipino men survived the snobbery of those who idolized the Western.

Around the 19th century, the new elite preferred the baro for photographs and portraits. With its urbanization came certain elements of the Western dress, including collars, cuffs, and concentrated embroidery patterns on the chest known as pecheras.

The baro, seemingly coming into its own, began weaving its unique aesthetic. It followed Filipino tastes while considering the nation’s tropical weather. Going to church was like a parade as Filipinos donned hats and canes with the baro. The lower and middle classes, however, preferred the basic design for its practicality.

“By the end of the 19th century, the baro had assumed the look it has today — a shirt of piña or jusi, half-open and buttoned in front up to a small collar, with long loose sleeves ending in buttoned cuffs,” narrated Dr. Tiongson.

Filipino presidents and their strategic fondness for the baro

From a revered indicator of societal standing, the baro played a role in every government established over the years. “The development of barong was always based on the presidents,” Dr. Tiongson recalled.

President Manuel Quezon carried his nationalistic spirit on a baro with emblems of the Commonwealth embroidered on the pecheras. Together with Vice President Jose P. Laurel, Filipino officials wore the baro in consonance with the Japanese slogan “Asia for Asians.”

Dr. Tiongson also emphasized President Ramon Magsaysay’s contribution to the barong Filipino’s regality: “It developed a famed reputation, a nobility, because of him [Magsaysay]. The ‘man of the masses’ wore it when he was sworn in as the president. It was the first time in history.”

Magsaysay’s vice president, Carlos Garcia, resumed his legacy in Filipino fashion and often wore the baro in official functions. This also underscored the “Filipino First” policy, which championed locally made materials.

In 1961, President Diosdado Macapagal was sworn in as president in a barong Filipino. During his period, a new style emerged called “all over.”

Dr. Tiongson explained: “An all-over baro is embellished with callado (intricate embroidery) on the entire bodice of the shirt. It was also Macapagal who officially declared the barong Tagalog as the national costume for men.”

Choosing the barong Tagalog for all formal occasions, President Ferdinand E. Marcos popularized the waist-length shirt barong. President Fidel Ramos, who wasn’t fond of fancy attire, continued the tradition of wearing the national dress for the inauguration.

With its precious embroidery and vibrant fabric, the baro fought its way into banquets, inaugurations, formal portraits, and family pictures. It then succeeded, spinning itself into a marvelous item of clothing that commanded sincere respect and attention from everyone in the room.

The barong Filipino as an evolving garment

At present, the national dress for men has stayed true to its purpose of catering to the Filipinos’ needs. Each design is now tailored to the occasion, function, and budget for the materials. “The baro of today comes in bright colors to answer the needs of actors, singers, and other fashionistas,” Dr. Tiongson expressed, acknowledging the changing times.

Celebrities now sport the national dress with chic shorts and huge, puffed sleeves. Some even refuse to wear undershirts beneath the piña fiber fabric, wielding a daring impression with the baro.

Dr. Tiongson remembered seeing a barong Filipino on the red carpet, cut and shaped into a bomber jacket. He lamented: “Being open to new trends is important, but keep it memorable and wearable. Just remember the purpose of the design.”

With its timeless form, the baro’s journey has proven that Filipinos are capable of evolving while preserving their history and culture. It presents a comforting reminder not to shy away from growth as long as every step is laced with heart and care.

“All in all, the baro has become acceptable to Filipinos because it answers their specific needs. It is theirs, and is indeed a living garment,” said Dr. Tiongson during his lecture at the CCP COSLAB2.

The participants of COSLAB2 work on their designs diligently under the guidance of Ternocon pillar Gino Gonzales. Photo: Kiko Cabuena

The CCP COSLAB2 was in partnership with SLIM’s Fashion and Arts School – an institution of De La Salle – College of Saint Benilde. It also hosted workshops on pattern-making and basic tailoring facilitated by 2024 Gawad CCP Para sa Sining awardee and TernoCon pillar Gino Gonzales.

Follow the CCP’s official website (www.culturalcenter.gov.ph) for future events, workshops, and lectures. For live updates and live streams, you may follow its social media accounts on Facebook, Instagram, and TikTok.

#CCPCOSLAB2 #CCP #rubyspreciousmoments #rubyasoyph

Posted on

A Beacon of Faith: CCP’s Parol-Inspired Facade Lights the Way to Simbang Gabi

The Cultural Center of the Philippines (CCP) ushers in the Christmas season by illuminating the iconic facade of its Main Building with a striking Lubenas parol from Pampanga alongside a belen logo, forming a centerpiece that embodies the enduring spirit of the Christmas season for Filipinos.

Titled “GABAY,” the display also highlights the building’s ongoing construction, making it a major component of the display.

The façade lighting will be on display from 6pm to 5am, from December 16, 2025 to January 6, 2026.

This year’s Christmas facade lighting references the early Filipino belief that a star-shaped lantern (parol) guides churchgoers to the dawn masses (Simbang Gabi).

The light display is directed by CCP Trustee and Gawad CCP Awardee for Lighting Design Felix “Monino” Duque. It was conceptualized and designed in collaboration with culture and arts officer and lighting designer Jericho Pagana.

“I wanted to have one clear element, which is the logo of the belen. It serves as the heart of that big parol,” said Pagana. “Lit in warm colors of red and orange, the CCP Main Building lights the way for our churchgoers to the CCP Annex where we hold our Simbang Gabi.”

For Duque, who wishes to highlight National Artist for Architecture Leandro Locsin’s brutalist structure, the approach to lighting the building was to light it as a major piece, not as a canvas: “We light the building the way it is now, and not the way we thought it was. We light it with all the elements of the construction. So, we don’t just use the building as a surface to project on – we highlight the building.”

Even with its temporary closure in January 2023, the CCP continues its long-standing tradition of lighting the iconic facade during special events and occasions, honoring its rich heritage while delivering a powerful message about Filipino creativity and cultural identity.

GABAY Architectural Lighting. Photo: Rodel Valiente

 

“What I want for people to see is the CCP from a different point of view, with elements that are not supposed to be there. I believe that that may never happen again, at least in my lifetime,” added Duque, whose career in lighting design and theater spans over 50 years. “So, it is a special moment when the CCP takes a different face, a different character. Para sa akin, mahalaga na mailawan ko siya para lumabas ‘yung character na yun.”

Tying the elements of the parol, belen, and construction together are the warm colors of red and orange, inspired by the Genesis artwork by National Artist for Visual Arts HR Ocampo, the iconic stage tapestry of the CCP Main Theater. The CCP logo is also included in the display, placed over the metals and scaffolding.

“Kahit under renovation pa rin ang CCP, hindi nagkulang ang institution sa pagpapatuloy ng mga projects, productions, at outreach programs,” explained Pagana. “In essence, the CCP logo truly continues to shine despite everything. Behind every metal, every scaffold, every debris falling from the CCP main building due to renovations – it highlights that we’re still here, we’re still standing, and we’re still shining.”

The installation comes to life with technical assistance from the CCP Tech Team, composed of technical director Danilo Villanueva, Shantie De Roca, with execution by Lucio Tapiru, Earl Barrera, Mary Grace Budol, Benjamin Lim, Joefel Alas, and Jovel Bensurto, and with supervision from CCP Artistic Director Dennis Marasigan and Production Design and Technical Services Division head Ricardo Eric Cruz.

#CCP #parol #rubyspreciousmoments #rubyasoyph

Posted on

CCP Simbang Gabi Celebrates Faith, Tradition, and Community

Embracing the rich tradition of Filipino Catholicism, the Cultural Center of the Philippines (CCP) will once again host its annual Simbang Gabi from December 16 to 24, 2025, continuing a cherished holiday observance that gathers communities in prayer, reflection, and cultural celebration.

This year’s observance features nine dawn masses (Misa de Gallo) at 5am, culminating in the Christmas Eve Mass (Misa de Aguinaldo) on December 24 at 8pm, both happening at the CCP Annex Parking Lot along Vicente Sotto Street at the CCP Complex.

As one of CCP’s most enduring holiday traditions, the Simbang Gabi presents not only a spiritual journey, but also a meaningful convergence of culture, devotion, and artistic expression.

CCP Simbang Gabi last 2024.

The Hermanas and Hermanos of the Misa de Gallo include the Philippine Navy, Camus-Corrado, the Philippine International Convention Center (PICC), Manila Broadcasting Company (MBC), and Seascape.

On December 24, the CCP will hold special pre-show activities, starting at 7pm. Following the nativity story, the pre-show elevates both the solemnity and the joyous spirit of the Misa de Aguinaldo.

The Philippine Madrigal Singers headlines the celebration, along with soprano Myramae Meneses and other equally exceptional artists and performers. Their participation underscores CCP’s commitment to preserving cultural heritage by integrating the arts into communal traditions.

“This season brings our community together in faith and creativity. Through Simbang Gabi, we celebrate not just the spirit of Christmas but also the artists and cultural workers whose passion uplifts our traditions,” said CCP President Kaye Tinga.

The CCP invites everyone to join the Simbang Gabi and partake in the celebration of unity, gratitude, and hope that defines the Filipino Christmas.

Admission to all masses is free, and attendees are advised to arrive early. The Christmas Eve mass will be officiated by Fr. Mario Sobrejuanite and livestreamed on the CCP Facebook page.

For more updates and announcements about this event, follow the official social media channels of the CCP.

#CCPSimbangGabi #rubyspreciousmoments #rubyasoyph

Posted on

Conrad Manila’s ‘Of Art and Wine Series’ Presents ‘Return & Remember: Places & Home’ by J.A. Tan

 

Conrad Manila unveils the 38th edition of its celebrated Of Art and Wine series with Return & Remember: Places & Home, a solo exhibition by Filipino-Canadian visual artist J.A. Tan, curated by Nestor Jardin. Open to the public from November 19, 2025 to January 17, 2026 at the hotel’s Gallery C, the latest art installation features 36 evocative paintings that explore memory, identity, and the emotional topography that define a sense of belonging.

An artist on the autism spectrum, J.A. Tan is celebrated for his expressive and vibrant works that reflect his personal narrative and worldview. Through Return & Remember: Places & Home, he invites guests into an intimate journey across time and place, capturing moments from Vancouver, the Philippines, Europe, and the United States in a tapestry of color and emotion.

“Inclusivity has always been at the heart of our values at Conrad Manila,” said Rupert Hallam, general manager of Conrad Manila. “This new exhibit is especially meaningful to us, as it features the world-class talent of J.A. Tan. We are honored to provide a platform for his story and perspectives that resonate deeply with human experience.”

Exhibit opening.

“Each image speaks of a moment, a place, or a feeling that resonates deeply within me. Whether in Vancouver, the Philippines, Europe, USA or elsewhere, these places have left imprints on my soul, shaping my sense of self in the world. These paintings bring together fragments of memory, allowing me to understand and share my personal narrative,” said J.A. Tan.

The ribbon cutting ceremony, was led by Elizabeth Sy, President of SM Hotels and Conventions Corporation (SMHCC); Peggy Angeles, Executive Vice President of SMHCC; Mona Magno-Veluz, National Spokesperson of the Autism Society Philippines; Maribel Calma, Guest of Honor; Rupert Hallam, Conrad Manila’s General Manager, and J.A. Tan.

As part of J.A. Tan’s ongoing advocacy, a limited-edition canvas reprint of his painting “Rice Fields,” along with merchandise inspired by his artworks and a special collaboration bottle of Montecorneo 570 Albe 2021 Grechetto Passito dessert wine, were auctioned during the opening event. All proceeds from the auction were donated in full to the Autism Society of the Philippines.

J.A. Tan is a Filipino-Canadian visual artist based in Vancouver, B.C. A graduate of Emily Carr University of Art + Design, he is known for his expressive, color-rich paintings that explore emotion, memory, and human connection. His work has been shown in galleries across Vancouver, New York, London, Manila, and Beijing.

In 2012, J.A.’s painting “Victory” was featured on a United Nations postage stamp for Autism Awareness, making him the first Filipino artist to receive this honor. His art has since appeared on book covers, in fashion collaborations, and even on an Italian wine label.

Through his practice, J.A. continues to share his unique way of seeing the world—vivid, heartfelt, and profoundly human.

All artworks are available for acquisition. For inquiries and more information, guests and art collectors may contact +632 8833 9999 or email Conrad.Manila.info@conradhotels.com.

Inspired Afternoon Tea Experience

Conrad Manila introduces an exclusive afternoon tea set at C Lounge on Level 3, inspired by J.A. Tan’s vibrant works. Available from November 19, 2025, to January 17, 2026, the menu includes creations such as roasted pumpkin feta mousse tartlet, pork adobo polenta cake, smoked salmon yuzu cream on rye, roasted mung bean chocolate coconut shell, Valrhona guanaja moist chocolate cake, and mango calamansi mousse & crispy black rice. 

Every order comes with a pot of tea or coffee, good for two guests. For reservations and inquiries, contact Conrad Manila at +632 8833 9999 or email MNLMB.FB@ConradHotels.com.

#ConradManila #OfArtandWineSeries #JATan #rubyspreciousmoments #rubyasoyph

Posted on

CCP, CFO strengthen ties to promote Philippine arts and culture to overseas Filipinos

The Cultural Center of the Philippines (CCP) and the Commission on Filipinos Overseas (CFO) have officially forged a partnership to promote Philippine culture and the arts among overseas Filipinos, especially the youth. The collaboration seeks to deepen the understanding and appreciation of Filipino heritage among our kababayans living abroad through joint initiatives.

The Memorandum of Understanding (MOU) was signed on September 25, 2025, at the Tanghalang Ignacio Gimenez. Present at the signing were CFO Chairperson Secretary Dante “Klink” Ang II, CCP President Kaye C. Tinga, CCP Board of Trustee Teodoro “Junie” Del Mundo, CCP Vice President for Administration Jose Victor M. Gaite, and CFO Project Management Division Chief Marita Del Rosario Apattad.

“Through this exciting collaboration with the CFO, led by Secretary Klink, we are celebrating the talents and dreams of our kababayans overseas. Just like the CFO, the CCP will ensure that their stories are seen, heard, and honored around the world,” CCP President Tinga said.

“We hope to partner with the CCP in the implementation of CFO’s endeavors. Likewise, we look forward to supporting your programs as we are certain we share the same goals of promoting Filipino heritage across the globe. Rest assured that as your partner, the CFO will lend whatever resources available in the delivery of CCP’s programs for overseas Filipinos,” Secretary Ang II said.

As part of the partnership, both agencies will work together to update and enhance digital and physical cultural resources, such as the Virtual Sentro Rizal and produce educational materials for distribution to Philippine schools abroad and diaspora organizations. They will also collaborate in promoting and reproducing informational content about Filipino arts, culture, and heritage across their respective platforms and networks, and jointly implement various programs and activities.

Key initiatives for this collaboration include some of the existing programs of the agencies such as CFO’s YouLeaD Program and Virtual Sentro Rizal, alongside CCP’s Masterclass, Arts Education Programs, Thirteen Artists Awards, Encyclopedia of Philippine Art, 21AM (21st Century Contemporary Art Museum), PPO Young People’s Concert, Pasinaya Open House Festival, and Cultural Exchange Programs.

The two-year partnership between these institutions aims to foster a strong sense of identity, pride, and connection to Filipino culture, language, and heritage among overseas Filipino communities.

For more details on and other CCP events, check out the CCP website at www.culturalcenter.gov.ph and its official social media accounts on Facebook, Instagram, and TikTok.

For more details on CFO programs, check out the CFO website at www.cfro.gov.ph

Featured photo: CCP Vice President for Administration Jose Victor Gaite, CCP Board of Trustee Teodoro “Junie” Del Mundo, CCP President Kaye C. Tinga, CFO Chairperson Secretary Dante “Klink” Ang II, CFO Project Management Division Chief Marita Del Rosario Apattad.

#CCP #CFO #rubyspreciousmoments #rubyasoyph

Posted on

Ballet Philippines’ 56th Season Christmas Full-Length Ballet, Alice in Wonderland

Ballet Philippines invites audiences to step into a world where imagination knows no limits as it presents a spectacular new production of Alice in Wonderland, part of the company’s acclaimed 56th Season. Choreographed by Artistic Director Mikhail Martynyuk, this completely original adaptation of Lewis Carroll’s beloved story blends breathtaking choreography with playful theatricality, reintroducing a timeless tale through the transformative language of dance.

In Martynyuk’s reimagining of the classic, audiences are swept into a dreamlike realm where logic bends and wonder takes center stage. The story follows Alice, a curious young girl who, upon chasing a mysterious White Rabbit, finds herself tumbling into the whimsical world of Wonderland. As she journeys deeper into this extraordinary place, she passes through magical doors, samples enchanted potions and cakes, and encounters gardens of talking flowers that challenge her wit and resolve.

Each chapter of Alice’s adventure is brought vividly to life through Martynyuk’s inventive choreography and storytelling. A delightfully chaotic tea party hosted by the Mad Hatter, March Hare, and Dormouse is filled with riddles and whimsy, while the enigmatic Caterpillar helps Alice uncover the courage within her. But the stakes rise dramatically in the Queen of Hearts’ unpredictable court, where flamingos and hedgehogs become croquet mallets, tempers flare, and justice is anything but just. Accused alongside the Knave of Hearts, Alice ultimately defies the chaos, boldly crying “Stop!”—an act that breaks the dream’s spell and returns her to reality.

What distinguishes this Alice in Wonderland is Martynyuk’s artistic vision, which combines technically challenging choreography for the dancers with elements of plastic comedy pantomime to heighten the production’s theatrical energy. This innovative approach creates a ballet that is as visually captivating as it is emotionally engaging—an immersive, family-friendly experience designed to enchant audiences of all ages.

“As we continue to evolve Ballet Philippines’ artistic journey, Alice in Wonderland represents our ongoing mission to celebrate imagination, courage, and the joy of discovery,” shares Kathleen Liechtenstein, President of Ballet Philippines. “It also reflects our deeper purpose—to bring Filipino talent and artistry to the forefront of the global stage, showcasing how collaboration between world-class artists like Mikhail Martynyuk and our homegrown dancers creates a uniquely inspiring expression of creativity and excellence.”

For Mikhail Martynyuk, Alice in Wonderland is more than a reinterpretation of a classic—it is an exploration of the limitless creativity that defines ballet. “In Alice, I wanted to create a world where movement tells the story beyond words,” Martynyuk explains. “Through choreography, mime, and expression, we invite audiences to feel the humor, absurdity, and heart that make Wonderland so unforgettable.”

As the dream fades and Alice awakens beside her sister, she emerges forever changed by the journey—a reminder of the courage found in staying true to oneself and the limitless power of imagination.

Alice in Wonderland is one of the most anticipated productions of Ballet Philippines’ 56th Season, a year-long celebration of creativity, storytelling, and the enduring magic of dance.

✨ Follow the White Rabbit and step into a world where dreams dance, time twists, and imagination knows no bounds.


Alice in Wonderland runs for only five performances from December 5 to 7, 2025 at the Theatre at Solaire:

  • December 5 (Gala Performance) – 8:00 PM
  • December 6 – 2:00 PM & 7:00 PM
  • December 7 – 2:00 PM & 7:00 PM

Seats are limited—secure your tickets now at TicketWorld and be part of this unforgettable holiday journey through Wonderland.

#AliceinWonderland #BalletPhilippines #rubyspreciousmoments #rubyasoyph

Posted on

Life ‘n Arts Festival 2025: The Largest Outdoor Art Festival in the South

The Life ‘n Arts Festival 2025 is set to take place on October 24–26, 2025 at Town Plaza, Alabang Town Center. This three-day festival stands as a premier celebration of creativity, culture, and community — uniting artists, musicians, and creatives of all kinds in a vibrant showcase of talent.

With thousands of attendees expected from Metro Manila and beyond, the festival aims to amplify artistry and innovation through a series of engaging programs and activities. This advocacy to inspire audiences, entertain communities, and promote talent.

The festival features a diverse lineup of events designed to engage, educate, and inspire:

Art Auction – The largest art sale of the festival, offering exclusive pieces for collectors and enthusiasts, providing opportunities to connect directly with artists and acquire remarkable works of art.

Art Talks – Insightful discussions with established artists as they share their journeys, experiences, and perspectives on contemporary art and creative practice.

On-the-Spot Painting – A live showcase where artists bring their visions to life, demonstrating creativity and mastery in real time.

Performances – A vibrant program featuring live music, dance, cultural showcases, and special presentations such as the Fashion Show and Cosplay Parade.

Workshops – Hands-on learning experiences in pottery, crochet, and other creative crafts, open to both beginners and enthusiasts.

Fashion Show – A presentation of artistry and style, featuring the works of designers who embody innovation and Filipino craftsmanship.

Competitions – Opportunities for emerging and established talents to shine through events such as Battle of the Canvas, Photography Contest, Short Film Contest, Cosplay Competition, and the Pet PAWshion Show.

The Life ‘n Arts Festival 2025 invites the public to be part of this inspiring celebration that highlights talent and the power of artistic collaboration.

Contact Details:

Email: lifenartsfestival@gmail.com
Contact Numbers: 0985 775 6340 / (049) 254 0019

#LAF2025 #LifeNArts #rubyspreciousmoments #rubyasoyph