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Violin Prodigy Adrian Ong and His Love for Music

Falling in love with music wasn’t a watershed moment for 24-year-old violin prodigy Adrian Ong. His affection for the art gradually blossomed after watching a televised violin performance when he was four years old. Immediately enamored, Ong’s journey began simply: he requested violin lessons as a hobby.

“I tried swimming and taekwondo when we couldn’t find a teacher for me. By the time we found one through a family friend, I was already 9 years old,” Ong recalled. Thankfully, his parents, Jeanne, and Alan Ong, supported his childhood dream, despite leaning towards dentistry.

A steadfast scholar

Ong’s love for the art of music grew stronger after becoming a scholar at the Philippine High School for the Arts (PHSA) in Makiling. Later, he graduated with honors from the Interlochen Arts Academy in Michigan under another scholarship. Ong also received a merit-based scholarship from the Mannes School of Music, where he graduated with honors.

Under mentors Mellissa Geronimo Esguerra, Gina Medina-Perez, Paul Sonner, Lewis Kaplan, and Yibin Li, Ong furthered his studies. He also attended masterclasses with master musicians Ilya Kaler, Almita Vamos, Charles Castleman, Philippe Quint, and Thanos Adamopoulos. Besides polishing his musical instinct over the years, Ong learned to fall in love with every piece he played: “Whatever I’m playing is my favorite. Currently, I’m practicing a waltz composed by Eugène Ysaÿe, so it’s now one of my favorites.”

The intended emotions of the composer make the melodies memorable for Ong. He added, “I take note of the emotions, even the humor or the campiness of the song.”

Because of the emotions behind the compositions, music inevitably transforms people. Ong always adored how music is an invisible art form that brings people together. “It’s based on feelings and what you can express through sound,” he lamented. Through playing the violin, he witnesses stories as told by composers.

“It’s interesting how I can peek into the composer’s life. I also imagine colors as I’m playing because of the story behind the song,” Ong shared. Partaking in every composition’s story, Ong would see colors or moods, depending on the sound he played. Music is heard by the ear, but somehow every harmony opens his eyes.

Debut with PPO

Having his orchestral debut with the Philippine Philharmonic Orchestra (PPO) at the age of 17, Ong plowed through performance after performance. In May 2023, he played at Carnegie Hall in New York, achieving what seemed to be every classical musician’s dream. “I had my own show. It was very fulfilling,” he expressed. He even played alongside Filipino-American world-renowned pianist Victor Asunción, making the performance all the more meaningful.

Grateful was an understatement as to how Ong felt. He also found the experience insightful, solidifying Carnegie Hall as the highlight of his career after being declared one of the scholars of the Cultural Center of the Philippines’ International Scholarship Program. “It’s really very inspiring to play, especially with this generation as your audience,” expressed Ong.

Ong’s Carnegie Hall Recital Debut 2023.

After performing with fellow CCP scholars Aidan Baracol and Mark Rocas at the Young People’s Concert in 2023, Ong looked forward to the future of classical music in the Philippines. He found it easy to connect with the concert-goers, disproving the age-old misconception that classical music is too complex for young audiences.

Ong elaborated, “It’s easy to understand as long as you’re willing to listen. You just have to keep an open mind.”

Learning beyond the violin

As part of the CCP’s International Scholarship Program, which provides financial support for academic and artistic learners who have achieved excellence in their respective art forms, Ong decided to make the most out of the opportunity. He would watch concerts and attend masterclasses for other instruments.

For Ong, the scholarship opened more avenues for him to learn beyond the violin. “Each instrument requires a different view of music-making. Different instruments have different philosophies behind them,” he explained.

Slowly building a name for himself internationally, Ong wanted to prioritize his homeland first. He attended Helping Through Music: A Benefit Concert for Childhope PH and Museo Pambata in 2023, where an instrument petting zoo was held.

Ong recalled feeling indescribable joy upon seeing children express interest in the violin: “I want to share what I learned here in the Philippines, with its next generation,” he declared. Following through on this promise, he began coaching and collaborating with the Philippine Suzuki Youth Orchestra, alongside Herrick Ortiz.

But Ong never really expected to get into PHSA, where his love for music finally influenced his career path. By the time he received the news, he was already enrolled in another university. Still, he followed his heart and immediately transferred. Playing the violin may have started as a hobby for Ong, but with each performance sharpening his distinct sound, his journey as a violinist became clearer.

“I think this is what I’ll be doing for the rest of my life,” Ong said, smiling with fond certainty.

#AdrianOng #violinprodigy #rubyspreciousmoments #rubyasoyph

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CCP’S Tara, Laro Ta(y)o Interweaves Traditional Games and Dances

Believing in the importance of dance and arts in general in the lives of every Filipino, the Cultural Center of the Philippines (CCP) embarks on another milestone project, dubbed Tara, Laro Ta(y)o, that aims to preserve what is inherently Filipino and promote the diverse Philippine dance tapestry.

Six dance

Featuring six dance films, the project explores how the joyous spirit of traditional games can be woven and intertwined with the dynamism of Philippine indigenous dances. Championing the folk and indigenous arts, the CCP aims to promote traditional dances and games to young generations through these dance films.

Inspired by the traditional games of selected Philippine indigenous communities from Luzon, Visayas, and Mindanao, the featured dances are: Mali, a Dumagat traditional dance; Koirdas di la Bordon of Cuyo, Palawan; Sipit-sipit from Eastern Samar; Kikembe from Cuartero, Capiz; Kasipa sa Manggis from Marawi, Lanao del Sur; and Buwa-buwan of Butuan City, Agusan del Norte.

Comparable to agawan base, the Mali is considered the pambansang laro of the Dumagats from San Jose del Monte, Bulacan. Usually played after the pagyuyuro (a long day’s work) at night under the moon along the river, the traditional game is played with two teams, with 10 players each; one of which will be the pambato (leader). Utilizing a ball, each group must protect with all their strength and might the base assigned to them.

In the dance film directed by Roberto P. Ramirez, Jr. and choreographed by Ramirez Jr. alongside John Rick Bugas, a player named Emman shows all his strength to win the game and eventually falls in love with his female opponent named Kulot. His love languages were observed and witnessed by Kulot’s younger sister Ekang. He may not win the game but wins the heart of his love.

Played after prayers for the dead or during wakes, Koirdas di la Bordon entails players secretly passing a ring while singing the Bordon. The “It” tries to guess who has the ring. The guessing game continues until the “it” succeeds in pointing at the person who holds it. The holder of the ring becomes the new “it.”

Performed by Ramon Obusan Folkloric Group, the dance film shows the son of a bereaved family initiating the Koirdas di la Bordon to keep everyone awake and alleviate boredom throughout the night. Children eagerly join in, providing a much-needed distraction from the grief and sadness of the wake. This showed that even in times of mourning, there is still room for happiness and fun. Percival V.  Carel directs and choreographs.

A lively and playful cultural expression from the Philippines, specifically in Taft, Eastern Samar, Sipit-sipit is inspired by a traditional Filipino game where players aim to hit each other’s slippers with their own.

The Samleyaw Performing Arts Group performs the choreography of its artistic director Jerry E. Mores in the film directed by Mores himself and Mark Doclotero. In the film, dancers move energetically, incorporating movements that mimic the act of tucking or placing slippers in different parts of the body. The choreography often includes rhythmic footwork, dynamic arm gestures, and joyful expressions, capturing the essence of camaraderie and competition found in the game.

Kikembe, a traditional group game from Cuartero, Capiz, is often played by children who form a circle and tangle their hands and feet.  As they turn and form various formations, they would chant “Kekembe, nang kekembe/Ang barato nang karamiri/Ginsakyan ni Kapitan Kabyan/Byan, byan…. Byan.” Any player who loses focus and stops the routine will render a song or a dance as a penalty.

Directed by Jocelyn Mayo and Ramie Capuyan, the dance film features the performance of Agdahanay Folkloric Group as choreographed by Rose Hallegado and Cute Candelario. In the film, Kikembe ignites the friendship between classmates who bicker and fight.

In Kasipa sa Manggis, sipa players try to outdo one another by kicking the ball-like contraption made of rattan (sipa) and hitting the manggis that are hung on a bamboo above them. The player that can hit a manggis and make it drop to the ground gets a price.

The traditional game is mentioned in Darangen, the Maranaw epic. In the tale, mythical hero Raja Bantugan competed in kasipa sa manggis, along with other noble warriors and datus, to win the hand of a beautiful princess.

Benhur Abulencia directs the dancers of Sining Kambayoka Ensemble (SKE) who follow the choreography of Abulencia and Jear P. Lopez in the film, narrating the story of a Meranaw boy who journeys through the Kasipa games and learns the true value of family.

The Agusan Manobo and Lapakonon Manobo children often play the Buwa-buwan, a traditional outdoor game where the runners will try to outrun the “taya.” The taya will try to chase and block the runners. Hugis Dance Project of Butuan City performs the choreography of Dariel Endencia and Railey Clark Baring in the film directed by Carlito Amalla and Gerard Hechanova.

CCP’s instructional videos

Maximizing the potential of modern technology, the CCP also created instructional videos and books to document unpublished dances from the different regions of the country, with materials on costumes, music, instruments, and choreographies performed by partner dance groups from Luzon, Visayas, and Mindanao.

“The long-term plan is to create a comprehensive archive of Philippine dances, ensuring that future generations will deeply understand and appreciate our culture and heritage. We aim to distribute these manuals and instructional materials to educational institutions and libraries in the Philippines,” said CCP President Kaye C. Tinga.

In partnership with the Philippine Folk Dance Society and the City Government of San Jose Del Monte, the CCP will screen the Tara, Laro Ta(y)o films on June 25, at the Convention Center, San Jose Del Monte, Bulacan. Coinciding with the launch is the 42nd National Folk Dance Workshop, slated on June 24-28.

#CCP #Filipinodancetapestry #TaraLaroTayo #rubyspreciousmoments #rubyasoyph

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Park Inn by Radisson Bacolod’s Art Cove Mounts an Inspiring Art Exhibit on Mental Health

The importance of mental health regardless of age cannot be undermined. With summer kicking-in, students who are on vacation from school have less to do. As such, they should have productive activities to keep them busy and constantly hone their minds to prevent them from getting bored. Licensed psychologist Heather Lyons, Ph.D. points out that “prolonged stretches of boredom can lead to higher stress levels. Chronic boredom can increase your risk factors for mental health issues, leading to negative thinking patterns, impulsivity, and self-destructive behaviors.”

The Tales of the Psyche: Navigating Our Mental Odyssey is the newest exhibit at the Art Cove, Park Inn by Radisson Bacolod’s built-in art space. This is the eighth installation of the gallery, featuring the works of Ms. Sheila Marie Basio, marking her third solo exhibition. Ms. Basio hails from the city of Escalante, Negros Occidental. She is a retired teacher, meditator, yogini, and an active mindfulness advocate. Her works represent her battles with mental illness, self-empowerment, and choosing life over defeat. “Art has always been a medium for expression, and through these works, I have attempted to capture the complexities, struggles, and triumphs associated with mental health. Each piece tells a story—sometimes of despair, sometimes of hope, but always of resilience,” said Ms. Basio.

Her artworks address mental health as a topic that touches everyone, whether directly or indirectly, and she hopes this exhibition sparks conversations, evokes empathy, and offers solace to those who might be struggling in silence.

“Here at Art Cove, we consider ourselves privileged to host such a profound and timely exhibit. In an age where the importance of mental health cannot be overstated, through Ms. Sheila’s art, we are encouraged to appreciate beauty and embrace the full range of our shared human experience,” said Archie Javellana, Park Inn by Radisson Bacolod’s Rooms Division Manager.

From Left to Right: Tales of the Psyche exhibit ribbon cutting led and facilitated by Art Association of Bacolod–Negros Treasurer Patty Jane Ku Ong; Tales of the Psyche Artist Sheila Marie Basio; City Councilor of Victorias Hon. Joji Larraga; and Park Inn by Radisson Bacolod Rooms Division Manager Archie Javellana.

The ribbon-cutting last June 5 was led by the Tales of the Psyche artist, Ms. Sheila Marie Basio, with honorable guests Art Association of Bacolod–Negros Treasurer Patty Jane Ku Ong, City Councilor of Victorias Hon. Joji Larraga, and was assisted by Park Inn by Radisson Bacolod’s Rooms Division Manager, Mr. Archie Javellana. The exhibit was also graced by the presence of Mr. Charlie Co, co-owner of Orange Project and a Filipino contemporary visual artist known for works with a strong socio-realist theme.

Tales of the Psyche will run until September 7, 2024. For inquiries and artwork purchases, guests may visit the hotel’s front desk or call +63 34 706 888.

#ParkInnbyRadissonBacolod #TalesofthePsyche #rubyspreciousmoments #rubyasoyph

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Businesswoman-Philanthropist Kaye Tinga is the New CCP President

The Cultural Center of the Philippines welcomes its new president, businesswoman and philanthropist Kaye Tinga.

She will assume the duties of the presidency on June 1, 2024, allowing her time to fully acclimate in her new role. Tinga will take responsibility for the operations of the CCP, working closely with the management.

New CCP President Kaye Tinga.

Her presidency was approved by the CCP Board of Trustees, following the election during the board meeting on May 15, 2024. She became part of the Board after her appointment from Malacañang Palace in April 2024.

She replaced early childhood educator Michelle Nikki Junia, who acted as president ad interim from September 2023 to March 2024.

Championing Filipino design talents, Tinga is the co-founder and co-chairperson of the Red Charity Gala, a prestigious annual event that aims to celebrate local fashion through the works of renowned Filipino designers including Dennis Lustico, Furne One, Michael Cinco, Cary Santiago, Ezra Santos, Jojie Lloren, Lesley Mobo, Chito Vijandre, Joey Samson, Rajo Laurel, and Ivarluski Aseron. The gala also raises substantial funds for charitable causes, including for the Philippine Red Cross.

A business economics graduate from the University of the Philippines-Diliman, with MBA from Fordham University, she is the co-founder and managing director of W/17, a home furnishing and accessories brand that collaborated with with craftsmen from various regions across the Philippines, including from Cebu, Cavite, Pampanga, and Dumaguete. Through her leadership, her brand has been promoting local artisans, cultural skills preservation, and economic development.

Nurturing the next generation of creative talents, Tinga serves as a board member of MINT College, a business and creative arts college and senior high school that provides an innovative learning experience and empowers young people through its pioneering programs such as music business management, multimedia arts, and film and video.

Married to former Taguig Mayor and Congressman Freddie Tinga, and mother to four children, Tinga balances her professional and philanthropic activities with her family life, and interests in design and travel.

The CCP Board of Trustees is headed by Dr. Jaime C. Laya, with Margie Moran Floirendo and Carissa Oledan Coscolluela as Vice Chairs.

Completing the Board are real estate magnate Isidro A. Consunji, award-winning conductor Jonathan Velasco, PR maven Junie del Mundo, master light designer Felix “Monino” Duque, Atty. Gizela M. Gonzalez, and entrepreneur Marivic del Pilar.

#KayeTinga #CCPNewPresident #rubyspreciousmoments #rubyasoyph

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‘Mebuyan’s Colony’ in CCP: Function Beyond the Fantastical

Whether physical, social, or personal, art always serves a purpose and goes beyond aesthetics and well into the needs of the artist and the community. Such is the case for multidisciplinary artist Leeroy New’s Mebuyan’s Colony, the featured Earth Day art installation of the Cultural Center of the Philippines (CCP). The unveiling will take place on April 25 at 6 p.m. at the CCP Front Lawn.

Raising environmental awareness and championing green initiatives, Mebuyan’s Colony is a large-scale immersive environment that combines New’s fascination with science fiction and Philippine mythology, reflected in the giant spheres on bamboo stilts.

Based on Bagobo mythology, Mebuyan is the goddess residing in the underworld whose body is engulfed with seemingly infinite breasts. Pods akin to wombs allude to Mebuyan’s dual role as the goddess of death and fertility, sustaining the spirits of children who have passed and transforming and nourishing them into adults capable of continuing the journey through the afterlife.

New’s use of natural materials, found objects, and assorted discards transformed into representations of a specific speculative future intersects Filipino contemporary life, pre-colonial mythology, and environmentalism.

“Our references to local stories and pre-colonial mythology can determine our approach to creative production. I referenced Mebuyan and other pre-colonial stories because most of us only get to hear the same stories, paulit-ulit,” he explains. “We don’t hear about Mebuyan, the goddess of death and fertility, who nurtures the spirits of dead babies. So there are a lot of principles and elements that we miss out on.”

Leeroy New

For the fifth iteration of the Mebuyan series, New incorporated this year’s Earth Day celebration theme, “Planet vs. Plastics,” as he utilized additional materials to protect plants against the hotter weather.

“I’m really drawn to pieces that explore practicality and functionality. When we built Mebuyan’s Colony, I wondered how we could build something more. How can we move away from practical structures, like cube forms, versus more creative and fantastical forms, like these clusters of spheres?” shared New.

The Mebuyan installation at the CCP will utilize blue gallons instead of the usual clear plastic bottles. New explores a more semi-architectural and sculpture-like way of grouping that can mitigate the heat to ensure that the plants will thrive.

“It’s all experimental, but the goal is for the plants to survive inside and under the structure,” said New.

Born in General Santos City, New made up for the lack of art galleries and museums in the area with horror and sci-fi films, magic shows, card games, and illustrated books as his early art references. The artist-designer draws motivation from the continuous element of play and exploration in artmaking.

“The concept of world-building became an important principle and determining idea in how I implemented my art practice. I had dreams of participating in building worlds physically and, in a practical way, through architecture. Also, building worlds, imagined or representational, through film,” shared New.

With Mebuyan’s Colony, New shared how the installation went against the rock and metallic forms that try to go into outer space to colonize other planets. Instead, it represented more regenerative and inward-looking principles, showing how human beings redefine their relationship with Mother Earth.

On his way of manifesting his vision in his art, New elaborated:  “It’s not just the idea of the themes of sci-fi in my work, but slowly moving towards the functional side. It’s not enough to represent something in art, so it’s time to explore how to make it practical and useful.”

To get the latest updates on Mebuyan’s Colony, follow the official CCP and CCP Visual Arts and Museum Division (CCP VAMD) social media accounts on Facebook, X, Instagram, TikTok, and YouTube.

#MebuyansColony #CCP #LeeroyNew #rubyspreciousmoments #rubyasoyph

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BaRaptasan 2024: Bringing Different Voices in One Stage

For a mambabalagtas, verbal joust and poetry are so much more than a way to express complex emotions and stories. While it was born as a form of entertainment during the bleak era of American colonialism, Balagtasan – a form of traditional verbal jousting – became a venue to discuss socio-political issues that besieged contemporary society.

Through facts, rhymes, and clever lines, the mambabalagtas would exchange discussions on the pros and cons of a topic relevant to the community. When it first happened on April 6, 1924, Balagtasan became the rage.

Town folks would gather at the plaza and listen to mambalalagtas defend their stand on certain social issues. While it seemed like a verbal display of one’s mastery of the Filipino language, it became a powerful tool to engage the public and create informed conversations on social realities.

But through the years, with the advent of new entertainment platforms, verbal jousts become few and far between in recent times.

With this in mind, the Cultural Center of the Philippines embarks on a new project to make Balagtasan and other types of verbal jousts remain in the consciousness of the Filipino people, especially the young generations.

To commemorate the centennial of Balagtasan, CCP, through its Kanto Kultura program, presents BaRaptasan, a Balagtasan competition with a twist. The competition gives Balagtasan a contemporary feel with the incorporation of rap.

With topics discussing the clash between modernity and tradition, the CCP’s Kanto Kultura BaRaptasan Grand Finals is open to the public. Ten finalists will battle it out in the finale, slated on April 6, 2 PM, at the Rizal Park Open-Air Auditorium.

The group finalists are: Ang Mga Supling ni Angela, Bagong Koronadal Advocates (City of Koronadal), Barapbida Normalista, DMD, El Setecientos, Harayasista Group, Lakbay Iral, Rapper sa Pinas, Tanglaw, and Waraptasan.

Ang Mga Supling ni Angela of Tabaco City, Albay

Paying homage to the first Filipina poet Angela Manalang Gloria, and one of Tabaco City’s proud daughters, Ang Mga Supling ni Angela hopes to present Tabaco City with a bang on the national stage. The group is composed of Kirschen Xyvrl Balajadia, Carlo Campit, and Franco Balingbing.

Bagong Koronadal Advocates (City of  Koronadal) of South Cotabato

Working students and full-time storytellers Angel Faith Leal, Jhon Van Lapu, and Philip Jay Leaño make up the Bagong Koronadal Advocates group. Aside from being familiar with verbal joust competitions, the members share the same love for theater. “Pare-pareho naming mahal ang entablado,” declared the group.

Barapbida Normalista of Tacloban, Leyte

Members Ray Padiwan, Wally Concepcion, and Dave Padel are third-year students taking up Education (majoring in Filipino) at Leyte Normal University. Handpicked by their professor for the competition, the three want to reintroduce their university as an avenue for creatives, not just academics.

 DMD of Makati City

The fourth group, DMD, consists of rappers John Dave P. Rosimo, Marielle Lou C. Bernardo, and Reynaldo S. Bernardo from Makati City. Their group name stood for their initials.

El Setecientos of Santa Rosa, Laguan  

El Setecientos, a group from Santa Rosa, Laguna, is composed of Simon, Mhagz, and Arkyak. Besides continuously honing their craft as seasoned rappers, they now want to present their craft to the national stage. Always eager to experience something new, El Setecientos of Laguna signed up for BaRaptasan to contribute to the artistic landscape of the Philippines.

Harayasista Group of  Labo, Camarines Norte

The Harayasista Group may have performers Louie L. Francia, John Earnest M. Evidor, and Amynel L. Garino, but it also has Angel Yasis as its coach. Hailing from Camarines Norte, Yasis looked for performers to create his own group after assisting another competitor.

Lakbay Iral of Dasmarinas City, Cavite 

Lakbay Iral members Aaron Vincent G. Jimenez, Louie Ross P. Reyes, and Gabriel Angelo Pedrosa formed the group because of the BaRaptasan competition. True to its translation, Lakbay Iral aims to live life by creating and immersing in the arts.

Rapper sa Pinas of Bocaue, Bulacan

Ernesto Canoy Jr., Oliver Monidero, and Fernando Melencio Jr. met through a Facebook group for rappers. Melencio reached out to the other two and quickly became friends. Eventually, they formed Rapper sa Pinas and applied for the competition. They want to bring to the competition the natural nature of their performance, emphasizing their message and working hard to make sure it will be heard.

Tagapagtaguyod ng Literatura at Wika (TANGLAW) of Ilocos Sur

The Tagapagtaguyod ng Literatura at Wika or TANGLAW is actually an organization from the Ilocos Sur Polytechnic State College, under the Secondary Education Program. Edlyn Baniqued, Deprisse Guco, and Schulamight Manzano chose to honor their school as they represented their institution on the BaRaptasan stage. They are all third-year Filipino Majors who were invited by their professor to join this competition.

Waraptasan of Tacloban City, Leyte  

Waraptasan is a wordplay spun by its members to show that they are from Tacloban City. With Waray as their language, members Ma. Regina Babon, James Leala, and Kenneth Cinco believe that “when doing art, you have to bring your own identity.” And that is exactly what they plan to do in BaRaptasan.

#BaRaptasan #CCP #rubyspreciousmoments #rubyasoyph

 

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CCP Celebrates National Women’s Month with Facade Lighting

The Cultural Center of the Philippines lights up the Tanghalang Pambasan (CCP Main Building), the Bamboo Pavilion at Liwasang Kalikhasan, and the Tanghalang Ignacio B. Gimenez in purple to celebrate the National Women’s Month this March.

CCP Tanghalang Ignacio B. Gimenez
CCP Liwasang Kalikhasan

Designed by Camille Balistoy and Jericho Pagana, and executed by the Production Design and Technical Services Division under the Production and Exhibition Department, the façade lighting is the art institution’s way of recognizing Filipino women’s contribution to nation-building, putting the spotlight on their accomplishments. Through its various programs and projects, the CCP advocates women’s empowerment and gender equality.

(Photo by RODEL VALIENTE)

#CCP #WomensMonth #rubyspreciousmoments #rubyasoyph

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Life ‘n Arts Festival: A celebration of a bountiful harvest of culture, diversity and creativity

What happens when you transform an Art Fair into a Fiesta? It metamorphoses into something more profound we call an Art Festival. A celebration of a bountiful harvest of culture, diversity, and creativity encompassing the traditional and contemporary forms of dance, music, theater, literature, visual arts, and other mediums of creativity. With this context, over 90,000 individuals had the enriching experience of immersing themselves in the arts at the heart of Laguna this February, widely recognized as Art Month nationwide.

Bursting with vibrant music, dazzling dance performances, and captivating art exhibits, the Life ‘n Arts Festival pulsated with a spirit of joyful community. This lively celebration, now in its second year (previously known as the Laguna Art Festival), truly lived up to its name, offering a kaleidoscope of experiences that breathed life into art and brought people together. The idea for this festival was inspired by Lerma Julian, who is also marking the 21st founding anniversary of her gallery, Life n’ Arts.

This three-day celebration was the ultimate dream for every art enthusiast and especially art collectors, as 28 exhibitors and over 300 artists showcased their latest collections. Among the participating galleries were: Life ‘n Arts Gallery, Omvi Gallery, Daloy Likha Art Gallery, Kambal Gallery Hong Kong, Nami Art Gallery, M Gallery, Quadro Art Gallery, Unified Artist Society, FAVA INC. Gallery, Nañola Gallery and Art Natin Gallery. While the works of master artists like Raul Isidro, Al Perez, Juno Galang, Augusto Santiago, Fidel Sarmiento, Jun Rocha, Ram Mallari, Otep Bañez, Dante Enage, Ronald Castrillo, Cameron Castrillo, Emmanuel Nim, and many more were celebrated and became bountiful delight for the eyes and the heart.

To enrich the event further, art workshops and demonstrations were led by master artists such as Fidel Sarmiento, Jun Rocha, Augusto Santiago, and others. Acknowledging that in the arts, skill alone is not enough, art academicians were also invited to deliver a series of art talks and lectures that stimulated participants’ minds and inspired creative processes. These activities provided participants with the opportunity to engage in two learning dimensions: psychomotor skills and a cognitive understanding of art.

The Festival kicked off last February 2, 2024, with the Bear Pouring Workshop, which was led by the Life ‘n Arts teachers. Other highlights included the oil pastel demonstration by AAP Maestro Fidel Sarmiento, the bonsai art demo by Richard Tuppil, and performances by MMCL Shape, Caritas Don Bosco, and Leah Cortina. This year’s newest addition to the program, the Cosplay Parade, and Competition, was also a highlight of the day, leaving the community joyfully celebrating art through cosplay.

Clay sculpting demo by Lito Mondejar.

On its second day, February 3, 2024, the Festival started with a crochet workshop led by Teacher Marie Tecson, and a clay sculpting demonstration by Manilito Mondejar. In the afternoon, a polymer workshop was conducted by Playground PH followed by an On-the-Spot portrait of Jun Rocha with Marriannelle Baccay as the live-portrait model. To lighten the day, the Miriam College Music Club serenaded everyone around. The day ended with a Fashion Talk led by the Fashion Institute of the Philippines, followed by a magnificent fashion show featuring the exquisite works of their incredibly talented designers.

On the final day, February 4, 2024, the festival concluded with a pottery workshop led by Evan Venegas of Ay! Putik Studio. This was followed by an art talk featuring visual artists Jarvie Madronero, Abbey Romina, Yana Ofrasio, and Rommel Rico. Maestro Augusto Santiago also showcased his unparalleled skills with on-the-spot portraits having Maria Thea Judinelle Casuncad as the live portrait model. In the afternoon, the celebration peaked with the Battle of the Canvas 2 On-the-Spot Painting Competition, featuring over 40 participants divided into two categories: artist and student levels. Meanwhile, ACTS Manila dazzled the crowd with impressive ballet performances. The program continued with Mommy Lala’s engaging arts and crafts activity, culminating in closing performances by DLSU-IS SHS, bringing the festival to a memorable end.

Battle of the Canvas 2 Winner – Shanra Kate Gilongos.

The event’s undeniable success was a testament to the strong sense of girl power leadership led by Ms. Lerma Julian and Leah Cortina. Their dynamic leadership was complemented by the combined efforts of Alaire Ann Lazaro and Michaella Cullo from the marketing department, contributing to the event’s seamless execution and remarkable achievements.

A heartfelt thank you is also extended to the generous sponsors: Liquitex, Winsor and Newton, Abstrak Canvas, East Asia, Pebeo, Franchise Manila, I Heart Art, Pizza Hut, Union Bank, and Ash Tech. Additionally, esteemed partners such as Ayala Malls Solenad, National Commission for Culture and Arts, Art Association of the Philippines, City of Sta. Rosa Laguna, Sangguniang Kabataan ng Brgy. Sto. Domingo Sta. Rosa Laguna, Elood Aesthetic Bar, Fashion Institute of the Philippines – Sta. Rosa, Mapúa Malayan Colleges Laguna, Miriam College Nuvali, De La Salle University Integrated School, DLSU College of Business Administration and Accountancy Student Government, St. Scholastica’s College Westgrove, Xavier School Nuvali, ACTS Manila, and The Philippine Star as a media partner, played a pivotal role in making the event more impactful.

A heartfelt thank you is also extended to the generous sponsors: Liquitex, Winsor and Newton, Abstrak Canvas, East Asia, Pebeo, Franchise Manila, I Heart Art, Pizza Hut, Union Bank, and Ash Tech. Additionally, esteemed partners such as Ayala Malls Solenad, National Commission for Culture and Arts, Art Association of the Philippines, City of Sta. Rosa Laguna, Sangguniang Kabataan ng Brgy. Sto. Domingo Sta. Rosa Laguna, Elood Aesthetic Bar, Fashion Institute of the Philippines – Sta. Rosa, Mapúa Malayan Colleges Laguna, Mir

#LifenArtsFestival #ArtMonth #rubyspreciousmoments #rubyasoyph

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Life ‘n Arts Festival 2024 Returns for its Second Edition

Life ‘n Arts Festival 2024 is set to enchant art enthusiasts from February 2 to 4, 2024, at the Activity Park, Ayala Malls Solenad, Nuvali, Sta. Rosa, Laguna. This eagerly awaited event, previously known as the “Laguna Art Festival,” returns for its second edition, aligning with Art Month’s festivities. Dedicated to supporting local artists, promoting Filipino arts, fostering a thriving artistic community, and connecting with diverse audiences, the festival brings a myriad of dimensions to art appreciation.

The festival unfolds as an exploration of art as pedagogy, featuring interactive activities like art workshops and art demos led by master artists in pastels, watercolor, clay sculpting, and more. It seamlessly transitions into a dance with nature through the captivating art of bonsai, showcasing the skilled cultivation of miniature natural landscapes. Further enriching the experience, art talks delve into the transformation of arts into digital forms and distinguish between modern art and contemporary art.

As the three-day event unfolds, galleries and artists from the nearby Metro exhibit their latest collections, promising artistic creations that captivate the senses. Performances by talented artists from local schools, expressing kinesthetic art through dance and singing, contribute to the lively celebration. The festival embraces the philosophy that art is a living entity with a body, mind, heart, and soul, offering a unique fusion of artistic expressions.

Hosted by Life ‘n Arts, a longstanding community-based art center in Santa Rosa, Laguna, the festival builds on a legacy dating back to 2002. Committed to providing the finest art products and services, Life ‘n Arts engages attendees through selling art materials, frames, paintings, and sculptures, as well as offering art, music, and dance workshops to cultivate the talents of aspiring artists.

Co-presented by Ayala Malls Solenad, in collaboration with the National Commission for Culture and the Arts, Art Association of the Philippines, and Brgy. Santo Domingo City of Santa Rosa Laguna, Sangguniang Kabataan Brgy. Sto. Domigno, and the festival proudly partners with esteemed institutions like Caritas Don Bosco School, Mapúa Malayan Colleges Laguna, Miriam College – Nuvali, De La Salle University – Integrated School, Xavier School Nuvali, St. Scholastica’s College Westgrove, ACTS Manila, and Fashion Institute of the Philippines – Sta. Rosa. Sponsorships from Elood Aesthetic Bar, Winsor & Newton, Liquitex, Abstrak Canvas, East Asia Innovations Incorporated, Pebeo, I Heart Art, Franchise Manila, Ash Tec, and Union Bank contribute to the grandeur of this cultural celebration.

#LifenArtsFestival2024 #rubyspreciousmoments #rubyasoyph

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Art as Food for the Soul

For veteran stage managers Renz Sevilla, Ching Danseco, Roldan Espino, and Richard Eusebio, working on the stage management of Pasinaya: The CCP Open House Festival does not only bring joy to their lives, but it satisfies their soul and sustains it as well.

“Through time, magiging panata ‘yan. You have to be here because you have to pay back for all the good things na binigay [sa amin] ng Sentro,” said seasoned stage manager and designer Sevilla, who works as a carpenter and farmer when he’s not doing production work.

Eusebio, who was also a former folk dancer, currently works in a cruise ship but always makes sure to volunteer in Pasinaya every time he comes home.

Espino, meanwhile, finds joy in working in Pasinaya. A full-time fireman, he started his Pasinaya journey in 2017 and never stopped since then. He also does stage work in various CCP events through the years. “Basta bukal sa puso mo at masaya ka sa ginagawa mo, ipagpatuloy mo lang.”

Danseco reminisced of how they volunteered to do Pasinaya, with just shirts as payment. “Walang bayad noon, T-shirt lang. Ngayon, kahit kaunti meron na kaming natatanggap. Pero hindi pera ‘yung naging driving force para sumali kami sa Pasinaya. Kasi it’s food for the soul of the stage manager,” enthused Danseco who is a former folk dancer.

Stage manager Ching Danseco overseeing the Bukaneg performances.

As Sevilla and his fellow veteran stage managers saw this as a stepping stone for their credentials to flourish, they did not mind the lack of monetary compensation.

“Sa simula, pumasok kami ng Pasinaya for the experience, for the feel kung ano bang nangyayari sa Pasinaya. As years go by, gaya ng pag dumating ka na sa ganitong edad, having served years working in Pasinaya, magkakaroon ka na ng sense of devotion,” said Sevilla.

As stage managers, they handle more or less everything. May it be in the creative or technical department, they oversee sets, props, lights, and sound; while calling all technical cues during performances. With the many hats they wear, the challenges they face as stage managers only serve to keep their passion for their work burning.

“Hindi mo mararamdaman ‘yung pagod, talagang mag-eenjoy ka kahit na kulang ka sa tulog at pagod,” said Espino.

Danseco sees this as an eye-opener for the young volunteers. “It’s an experience, yes, but it is also a huge challenge and a huge responsibility, lalo na dahil marami kang hawak na performing groups,” he said.

In 2023, there was a grand total of 150 shows which featured more than 3,000 artists from different art fields. As an open house festival, Pasinaya welcomes people from all walks of life to foster art appreciation not only through countless performances, screenings, and other art activities, but also through 30-minute workshops in various art disciplines conducted by leading artists, resource persons, and teachers.

Since 2005, the Pasinaya has become a safe space for artists and cultural groups to showcase their talents while being a nurturing platform for art education and appreciation for the audiences through interactions and performances.

Pasinaya boasts of over a hundred free shows, workshops, and other activities in music, theater, dance, visual arts, film, and literature to choose from. It is also widely known to pool hundreds of volunteer artists, stagehands, technical crew, and other cultural workers to make the entire festival possible.

This year, for the first time ever, the country’s biggest multi-arts festival will go beyond the capital city and spread its wings to Visayas and Mindanao on February 3 and 4, 2024.

Eusebio hopes for more young volunteers to try stage management since the vocation also champions the Philippines and its cultures.

Following the theme “Sulong,” the country’s largest multi-arts festival returns on a grander scale with more artistic and cultural offerings in its 20th year. Pasinaya will simultaneously happen at the CCP Complex and its partner museums, the Iloilo Museum of Contemporary Arts in Iloilo City, and Tagum City, Davao del Norte on February 3 and 4, 2024, moving forward to promote art as food for everyone’s soul.

#Pasinaya #CCP #rubyspreciousmoments #rubyasoyph